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  3. 以假乱真!画家 Ben Johnson 的现实主义建筑表现

以假乱真!画家 Ben Johnson 的现实主义建筑表现

以假乱真!画家 Ben Johnson 的现实主义建筑表现
以假乱真!画家 Ben Johnson 的现实主义建筑表现, 'Approaching the Mirador' (2013, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson
'Approaching the Mirador' (2013, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson

本·约翰逊(Ben Johnson) 是一个专注于写实主义的画家,尤其是在建筑空间的二维表现上。约翰逊是一位在伦敦执业的英国艺术家,自20世纪60年代中期以来一直从事专业工作。 他广泛的作品包含城市风景和诺曼·福斯特(Norman Foster)、约翰·波森(John Pawson)、贝聿铭(i.m. Pei)和大卫·齐普菲尔德(David Chipperfield)等人设计的空间

'Room of the Niobids II' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson 'Fatherland Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson 'Roman Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson 'Room of the Niobids' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson + 23

'Room of the Revolutionary' (2014, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson
'Room of the Revolutionary' (2014, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson
Studio setting: 'Room of the Revolutionary' (2014, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson
Studio setting: 'Room of the Revolutionary' (2014, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson

从艺术现实主义的标准来看,约翰逊的作品有着几乎无与伦比的准确性和对细节的关注。最相似的比较可能是简·范·艾克1434年的阿尔诺非尼夫妇Arnolfini Portrait),这是15世纪佛兰德学派的一幅画,它也利用几何构造的透视法来描绘嵌套的空间。它也采用了类似程度的细节和“真实到现实”——尽管,从本质上讲,它是一件解释性作品,代表了一种暂停的现实。

在过去的十年里,约翰逊将注意力转向了阿尔罕布拉德格拉纳达(Alhambra de Granada)富丽堂皇的建筑群,他制作了一系列做工精美的油画,致力于表现其雕塑和空间的古怪之处。从巴塞罗那Sala de la Barca的立面到los Arrayanes的天井和Mirador de Lindaraja,约翰逊的作品体现了一种重新呈现严格控制的、无因次的建筑空间的能力,这种空间具有大气的密集性,并以一种非具体感来表现明暗对比。他的作品平衡了透视视角的虚假完美与对不完美现实的抽象描绘之间的界限。

Ben Johnson's London studio. Image © Ben Johnson
Ben Johnson's London studio. Image © Ben Johnson
Aligning stencils to the canvas. Image © Ben Johnson
Aligning stencils to the canvas. Image © Ben Johnson

就像拼贴画一样,约翰逊分阶段创作画作,主要是摄影作品。他倾向于将颜料喷在画布上,或者用海绵来创建纹理,而不是用刷子作画。在一幅典型的画作上,他可能要花9个月的时间画模板,6个月的时间把这些画变成彩色区域,然后再用乙烯基切割机再花3个月的时间来完成。在约翰逊真正开始作画之前,可能要花两个月的时间来调色,画做可能需要9到12个月。在这一过程中,他并不孤单:“每一幅画都是一种合作,这种合作比我作为一个艺术家或个人更重要,”他说。每一项工作“都是合作的副产品”。

'Facade of Sala de la Barca' (2015, acrylic on canvas, 163 x 202cm). Image © Ben Johnson
'Facade of Sala de la Barca' (2015, acrylic on canvas, 163 x 202cm). Image © Ben Johnson
Detail of 'Facade of Sala de la Barca' (2015, acrylic on canvas, 163 x 202cm). Image © Ben Johnson
Detail of 'Facade of Sala de la Barca' (2015, acrylic on canvas, 163 x 202cm). Image © Ben Johnson
'Mirador de Lindaraja' (2013, acrylic on canvas, 87 x 87in / 220 x 220cm). Image © Ben Johnson
'Mirador de Lindaraja' (2013, acrylic on canvas, 87 x 87in / 220 x 220cm). Image © Ben Johnson
Painting 'Mirador de Lindaraja' (2013, acrylic on canvas, 87 x 87in / 220 x 220cm). Image © Ben Johnson
Painting 'Mirador de Lindaraja' (2013, acrylic on canvas, 87 x 87in / 220 x 220cm). Image © Ben Johnson
'Patio de los Arrayanes' (2015, acrylic on canvas, 220 x 220cm). Image © Ben Johnson
'Patio de los Arrayanes' (2015, acrylic on canvas, 220 x 220cm). Image © Ben Johnson
'Roman Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Roman Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Room of the Niobids II' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Room of the Niobids II' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Room of the Niobids' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Room of the Niobids' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Fatherland Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Fatherland Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson
'Looking Back to Richmond House' (2011, acrylic on canvas, 72 x 108in / 183 x 274cm). Image © Ben Johnson
'Looking Back to Richmond House' (2011, acrylic on canvas, 72 x 108in / 183 x 274cm). Image © Ben Johnson

约翰逊主要作品回顾展场所精神:1967-2015 绘画作品在英国南安普敦市美术馆展出。

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关于这位作者
引用: Taylor-Foster, James. "以假乱真!画家 Ben Johnson 的现实主义建筑表现" 25 12月 2018. ArchDaily. (Trans. 韩爽) Accesed . <https://www.archdaily.cn/cn/908023/yi-jia-luan-zhen-hua-jia-ben-johnson-de-xian-shi-zhu-yi-jian-zhu-biao-xian>

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