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© Marc Angeles



+ 41
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- 面积:
145 m²
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项目年份:
2012
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厂家: C.R. Laurence, Davis Colors, ELEVATE, Fleetwood, Icynene, +6Majestic, Omega Fence Systems, Pratt & Lambert, Solahart, Trane, US Aluminum-6
https://www.archdaily.cn/cn/773470/hei-se-sha-mo-li-de-zhu-zhai-oller-and-pejic-architectureIgor Fracalossi
https://www.archdaily.cn/cn/896766/li-si-ben-yang-wu-zai-guang-zhong-shi-zhong-linha-de-terra-architectureDaniel Tapia
© Jan Kempenaers坐的终结是一个安装在十字路口的视觉艺术、建筑、哲学和经验科学。在我们的社会中几乎所有环境中都是设计座位的,但从医学研究的证据表明,坐的时间太久不利于身体健康。RAAAF建筑事务所和视觉艺术家Barbara Visser芭芭拉·维瑟开发出了一种概念,椅子和桌子将不再是设计必须的。相反,采用了多种安装方式以吸引游客,并探索采取不同的直立姿势设计。
https://www.archdaily.cn/cn/774997/he-lan-zuo-de-zhong-jie-raaafDaniel Sánchez
https://www.archdaily.cn/cn/896839/zuidblok-da-lou-16mi-xuan-tiao-wei-shi-min-ti-gong-cheng-shi-huo-dong-kong-jian-kollhoff-and-pols-architectenPilar Caballero
https://www.archdaily.cn/cn/773039/xin-yi-zhu-jia-ju-zhu-zai-sai-nei-jia-er-toshiko-moriDaniel Sánchez
© Paul Crosby



+ 27
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- 面积:
97600 ft²
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项目年份:
2019
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厂家: Adobe, AutoDesk, Chaos Group, Draper, Enscape, +10Interface, Millennium Forms, Mohawk Flooring, NanaWall, Robert McNeel & Associates, Schweiss Designer Doors, Shaw, TerraCORE, US Ceramics, Wausau Window and Wall Systems-10
https://www.archdaily.cn/cn/932657/bo-yi-xi-zhou-li-da-xue-shi-jue-yi-zhu-zhong-xin-da-zao-xiao-yuan-xin-men-hu-hga-plus-lombard-conradDaniel Tapia
https://www.archdaily.cn/cn/774262/yun-zhong-man-bu-transsolar-and-tetsuo-kondo-architectsDaniel Sánchez
https://www.archdaily.cn/cn/932413/ta-wei-ni-chun-mu-zhi-yi-liao-zhong-xin-maaj-architectesPaula Pintos
https://www.archdaily.cn/cn/920678/herdade-da-aroeirasi-zhai-yin-yu-song-lin-jian-de-bo-li-he-zi-bica-arquitectosPilar Caballero
https://www.archdaily.cn/cn/920939/ju-lu-ji-tuan-yong-nian-cai-chang-luo-zhu-geng-xin舒岳康 - SHU Yuekang
https://www.archdaily.cn/cn/932652/jia-na-da-shi-mi-si-zhi-jia-li-yu-hua-gang-yan-fei-xu-zhi-shang-mackay-lyons-sweetapple-architectsPaula Pintos
https://www.archdaily.cn/cn/920590/yin-bi-de-chi-tao-tu-zhu-zhai-annabelle-tugby-architectsPilar Caballero
https://www.archdaily.cn/cn/932329/feng-cha-cheng-jian-zhu舒岳康
https://www.archdaily.cn/cn/920465/da-shan-chu-li-xiao-da-jian-zhu-she-ji-shi-wu-suo舒岳康
https://www.archdaily.cn/cn/932355/ksi-zhai-yi-ren-ti-chi-du-bu-ju-bei-cun-zhi-ye-jian-zhu-she-ji-shi-wu-suoPaula Pintos
https://www.archdaily.cn/cn/920605/pu-tao-jiu-bo-wu-guan-yuan-shi-po-su-de-shi-yi-kong-jian-atelier-405Daniel Tapia
https://www.archdaily.cn/cn/883335/son-la-ceremonyyuan-ding-wu-zhong-yi-jian-zhu-shi-wu-suoFernanda Castro
© Didier Boy De La Tour开始着手设计的时候,我首先想到的是与当今全球艺术博物馆有关的两种现象。第一种趋势是早已广为人知的“毕尔巴鄂效应”,起始于弗兰克•盖里于1998年在西班牙毕尔巴鄂设计并建成的古根海姆博物馆。当时的设计策略是以雕塑般的建筑形态让这个在国际上默默无闻的城市吸引大量游客,并最终取得了成功。但有人认为,这样的建筑其实视艺术家与博物馆员工的需求于不顾,对建筑功能造成破坏,虽由此形成了建筑师个人的纪念碑,却也使博物馆的艺术作品展示和欣赏条件惨不忍睹。
https://www.archdaily.cn/cn/776629/peng-pi-du-mei-si-zhong-xin-shigeru-ban-architectsCristian Aguilar