<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: wen-hua-yi-chan | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
    <link>https://www.archdaily.cn/cn</link>
    <lastBuildDate>Fri, 19 Jun 2026 00:00:00 +0000</lastBuildDate>
    <language>zh-CN</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.cn/cnshow.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-26" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[当代影院建筑中的材料文化与遗产]]>
      </title>
      <link>https://www.archdaily.cn/cn/1042038/dang-dai-ying-yuan-jian-zhu-zhong-de-cai-liao-wen-hua-yu-yi-chan</link>
      <pubDate>Tue, 09 Jun 2026 13:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1042038/dang-dai-ying-yuan-jian-zhu-zhong-de-cai-liao-wen-hua-yu-yi-chan</guid>
      <description>
        <![CDATA[<p>多年来，影院建筑始终在不断革新。从调动多重感官的观影体验，到重新诠释过往时代美学的材料技术，电影院这一建筑类型推动了许多废弃、破败，甚至受历史保护的空间得到修复、重振与更新。正如<a href="https://www.archdaily.com/1033717/from-ruin-to-cultural-hub-the-transformation-of-zanzibars-majestic-cinema">位于坦桑尼亚桑给巴尔的 Majestic Cinema 体现了重要的社区功能</a>，许多 20 世纪建筑也在<a href="https://www.archdaily.com/search/projects/categories/adaptive-reuse">适应性再利用</a>中找到了新的机会，用以修复并保存仍对当地社区具有意义的文化、记忆与传统。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a0f/2847/fd52/9201/89f2/1971/newsletter/material-cultures-and-legacies-of-20th-century-design-in-contemporary-cinema-architecture_2.jpg?1779378267"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[边刷边逛：社交媒体如何重塑建筑文化旅游]]>
      </title>
      <link>https://www.archdaily.cn/cn/1038032/bian-shua-bian-guang-she-jiao-mei-ti-ru-he-zhong-su-jian-zhu-wen-hua-lu-you</link>
      <pubDate>Sun, 07 Jun 2026 13:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1038032/bian-shua-bian-guang-she-jiao-mei-ti-ru-he-zhong-su-jian-zhu-wen-hua-lu-you</guid>
      <description>
        <![CDATA[<p>在历史上，建筑与其他<a href="https://www.archdaily.cn/cn/999254/12ge-wen-hua-kong-jian-gua-ying-xing-zai-li-yong-de-li-liang" target="_blank" rel="noopener">文化形式</a>一样，主要通过印刷媒介被记录、传播和推广。书籍、期刊和杂志承载着建筑学科的观点与图像。由于建筑实践高度依赖视觉交流，建筑类印刷期刊也在学术出版物与商业杂志之间建立起一种连接。战后数十年间，一批制作精良的<a href="https://www.archdaily.com/1032916/detail-inspiration-the-architects-hub-for-projects-imagery-and-detailed-drawings?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">出版物</a>持续塑造着某种共同的判断框架，提示着行业普遍认为哪些项目值得讨论，哪些作品具有示范意义。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68e3/648b/0e2f/1401/8bcc/f206/newsletter/scroll-and-stroll-how-social-media-is-rewriting-architectural-cultural-tourism_1.jpg?1759732882"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[隈研吾建筑都市设计事务所赢得伦敦国家美术馆新翼楼设计竞赛]]>
      </title>
      <link>https://www.archdaily.cn/cn/1041099/wei-yan-wu-jian-zhu-du-shi-she-ji-shi-wu-suo-ying-de-lun-dun-guo-jia-mei-zhu-guan-xin-yi-lou-she-ji-jing-sai</link>
      <pubDate>Thu, 04 Jun 2026 11:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1041099/wei-yan-wu-jian-zhu-du-shi-she-ji-shi-wu-suo-ying-de-lun-dun-guo-jia-mei-zhu-guan-xin-yi-lou-she-ji-jing-sai</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/national-gallery-of-art" target="_blank" rel="noopener">伦敦国家美术馆</a>宣布<a href="https://www.archdaily.com/office/kengo-kuma-and-associates?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">隈研吾建筑都市设计事务所</a>联合 <a href="https://www.archdaily.com/office/bdp?ad_source=search&amp;ad_medium=search_result_professionals">BDP</a> 与 <a href="https://www.archdaily.com/office/mica-architects?ad_source=search&amp;ad_medium=search_result_professionals">MICA</a>，赢得为<a href="https://www.archdaily.com/tag/international-competition" target="_blank" rel="noopener">该馆设计新翼楼的国际竞赛</a>。竞赛于 2025 年 9 月启动，共收到<a href="https://www.archdaily.com/1036901/londons-national-gallery-unveils-shortlist-for-expansion-featuring-farshid-moussavi-foster-plus-partners-rpbw-and-kengo-kuma?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">来自国际事务所的 65 份方案</a>，最终遴选出六组团队进入决选。此次评选标志着该馆长期发展战略<a href="https://www.nationalgallery.org.uk/about-us/project-domani?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> "明日计划"（Project Domani）</a>的关键里程碑，将新增建筑定位为重构其建筑与策展框架的核心组成部分。该项目被视为自 1824 年建馆以来最重大的一次<a href="https://www.archdaily.com/tag/transformation" target="_blank" rel="noopener">变革</a>，旨在扩展空间容量与策展范围，使西方绘画的连续叙事得以在同一空间内完整呈现。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69d7/68c5/7950/303e/c139/35b4/newsletter/kengo-kuma-and-associates-wins-competition-to-design-new-wing-for-national-gallery-in-london_1.jpg?1775724789"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[亡者之城：十项探索丧葬建筑的实践]]>
      </title>
      <link>https://www.archdaily.cn/cn/1040628/wang-zhe-zhi-cheng-shi-xiang-tan-suo-sang-zang-jian-zhu-de-shi-jian</link>
      <pubDate>Mon, 27 Apr 2026 13:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1040628/wang-zhe-zhi-cheng-shi-xiang-tan-suo-sang-zang-jian-zhu-de-shi-jian</guid>
      <description>
        <![CDATA[<p>死亡无可回避，但其空间形态从未恒定。每个时代与文化都<a href="https://www.archdaily.com/896651/designing-dead-space-how-architecture-plays-a-role-in-the-afterlife" target="_blank" rel="noopener">为逝者创造了独特的安放方式</a> —— 或近或远、或显或隐、或宏伟如纪念碑或近乎匿名。这些选择始终承载着社会与政治的分量。<a href="https://www.archdaily.com/search/projects/categories/cemetery" target="_blank" rel="noopener">墓地</a>，正是这种分量在空间中具象化的场域：它将信仰与规训转化为边界、路径与姓名。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ca/c728/bacd/cd01/89fe/bb3e/newsletter/cities-of-the-dead-10-projects-exploring-burial-architecture_19.jpg?1774896948"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[材料与记忆之间：马德里三家建筑事务所关于遗产修复的实践]]>
      </title>
      <link>https://www.archdaily.cn/cn/1039297/cai-liao-yu-ji-yi-zhi-jian-ma-de-li-san-jia-jian-zhu-shi-wu-suo-guan-yu-yi-chan-xiu-fu-de-shi-jian</link>
      <pubDate>Thu, 12 Mar 2026 15:00:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1039297/cai-liao-yu-ji-yi-zhi-jian-ma-de-li-san-jia-jian-zhu-shi-wu-suo-guan-yu-yi-chan-xiu-fu-de-shi-jian</guid>
      <description>
        <![CDATA[<p data-start="0" data-end="422">遗产修复在当代建筑景观中的作用，由众多旨在重新定义和强化我们<a href="https://www.archdaily.com/tag/built-environment" target="_blank" rel="noopener">建成环境</a>的研究、信念、记忆及努力共同塑造。在开展改造、翻新或保护项目时，建筑师可采用多种策略和工具，以促进既有元素与新增元素之间的有意义的共存。我们携手三家<a href="https://www.archdaily.com/tag/madrid" target="_blank" rel="noopener">马德里</a>建筑事务所 —— <a href="https://www.archdaily.com/office/solar" target="_blank" rel="noopener">SOLAR</a>, <a href="https://www.archdaily.com/office/pachon-paredes" target="_blank" rel="noopener">Pachón-Paredes</a> 和 <a href="https://www.archdaily.com/office/oficina-ba-rro" target="_blank" rel="noopener">BA-RRO</a>，展开对话，探索他们的创作过程与理念，同时认识到历史建筑作为其他时代材料、结构及建造技术的宝库所具有的复杂性和价值。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/698c/74f4/5706/8e36/e16d/237d/newsletter/do-materials-or-memories-weigh-more-the-role-of-heritage-rehabilitation-in-contemporary-architecture-in-madrid_6.jpg?1770812673"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[我们的城市需要呵护，而非完美]]>
      </title>
      <link>https://www.archdaily.cn/cn/1036588/cheng-shi-xu-yao-he-hu-er-fei-wan-mei-zhong-gou-wo-men-dui-wei-lai-cheng-shi-jian-she-de-si-kao</link>
      <pubDate>Fri, 23 Jan 2026 15:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1036588/cheng-shi-xu-yao-he-hu-er-fei-wan-mei-zhong-gou-wo-men-dui-wei-lai-cheng-shi-jian-she-de-si-kao</guid>
      <description>
        <![CDATA[<p>在那些已无法将“完美”奉为终极追求的城市里，乐观主义究竟意味着什么？放眼全球，城市环境正承受着多重压力的叠加：<a href="https://www.archdaily.com/1035983/the-temperature-of-inequality-rethinking-urban-surfaces-for-a-changing-climate?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">气候波动、空间不平等、政治分裂、公众信任缺失，以及基础设施长期投入不足。</a>这些现实让理想城市的构想愈发与真实生活脱节。然而，构建更优质城市系统的希望依然长存。尽管乌托邦愿景看似是对现代世界日益复杂性的逃避，但当代城市营造面临的更大挑战，实则是直面而非回避这些复杂性。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/691e/c7d2/2924/2901/8a86/b747/newsletter/cities-need-care-not-perfection-reflections-from-utopian-hours-2025_1.jpg?1763624923"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[向金字塔楔形展开，大埃及博物馆即将开放]]>
      </title>
      <link>https://www.archdaily.cn/cn/1036043/xiang-jin-zi-ta-xie-xing-zhan-kai-da-ai-ji-bo-wu-guan-ji-jiang-kai-fang</link>
      <pubDate>Tue, 18 Nov 2025 13:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1036043/xiang-jin-zi-ta-xie-xing-zhan-kai-da-ai-ji-bo-wu-guan-ji-jiang-kai-fang</guid>
      <description>
        <![CDATA[<p>由 Heneghan Peng 建筑事务所设计的大埃及博物馆现已竣工，距离吉萨金字塔仅一英里多。这座庞大的建筑群坐落在开罗边缘的沙漠高原上，是连接世界最悠久文明的过去与现在的桥梁。博物馆内藏有十万件文物，是迄今为止规模最大的单一文化博物馆。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6908/5630/b04b/1c76/e23b/f289/newsletter/the-grand-egyptian-museum-fully-opens-completing-gizas-new-cultural-landmark_8.jpg?1762154066"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[民宿与慷慨之道：美国乡村的待客空间]]>
      </title>
      <link>https://www.archdaily.cn/cn/1035344/min-su-yu-kang-kai-zhi-dao-mei-guo-xiang-cun-de-dai-ke-kong-jian</link>
      <pubDate>Sun, 26 Oct 2025 11:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1035344/min-su-yu-kang-kai-zhi-dao-mei-guo-xiang-cun-de-dai-ke-kong-jian</guid>
      <description>
        <![CDATA[<p data-start="381" data-end="717"><a href="https://www.archdaily.com/tag/hospitality?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">待客空间</a>如同一面镜子，映照出不同<a href="https://www.archdaily.com/tag/cultural-heritage?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">文化</a>如何诠释慷慨、关怀、归属感与身份认同。在繁忙的城市环境中，这种文化特质体现在<a href="https://www.archdaily.com/1027493/reimagine-hospitality-in-venice-monaco-smart-and-sustainable-marina-rendezvous-2025" target="_blank" rel="noopener">酒店、服务体系以及精心设计的设施</a>上，它们直接塑造着访客的体验。这些空间将关怀转化为可衡量的形式，其成功与否与效率、奢华程度及品牌特色紧密相连。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68e5/97d9/c20e/d401/8906/4da4/newsletter/southern-welcome-typologies-of-hospitality-architecture-in-rural-america_3.jpg?1759877092"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[让·努维尔新作：“展览的机器”，卡地亚基金会新址]]>
      </title>
      <link>https://www.archdaily.cn/cn/1035295/rang-star-nu-wei-er-xin-zuo-zhan-lan-de-ji-qi-qia-di-ya-ji-jin-hui-xin-zhi</link>
      <pubDate>Fri, 24 Oct 2025 09:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1035295/rang-star-nu-wei-er-xin-zuo-zhan-lan-de-ji-qi-qia-di-ya-ji-jin-hui-xin-zhi</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/fondation-cartier" target="_blank" rel="noopener">卡地亚当代艺术基金会</a>的新馆由让·努维尔设计，将于 2025 年 10 月 25 日在<a href="https://www.archdaily.com/city/paris" target="_blank" rel="noopener">巴黎</a>皇家宫殿广场 2 号开幕。该机构的建筑项目将 19 世纪的卢浮宫百货公司（Grands Magasins du Louvre）重新改造成一个移动的有机体。首届展览“巴黎博览会（Exposition Générale）”由 <a href="/cn/tag/formafantasma">Formafantasma</a> 设计，汇集了超过 100 位艺术家的 600 多件作品，通过重新激活博物馆概念的场景设计，映射了四十年来的当代创作。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68f4/1560/683c/c401/89bd/bffa/newsletter/fondation-cartier-pour-lart-contemporain-to-open-new-paris-building-with-exhibition-designed-by-formafantasma_28.jpg?1760826763"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“我们设计贝鲁特 2025”：重振黎巴嫩建筑遗产]]>
      </title>
      <link>https://www.archdaily.cn/cn/1035208/wo-men-she-ji-bei-lu-te-2025-zhong-zhen-li-ba-nen-jian-zhu-yi-chan</link>
      <pubDate>Wed, 22 Oct 2025 13:00:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1035208/wo-men-she-ji-bei-lu-te-2025-zhong-zhen-li-ba-nen-jian-zhu-yi-chan</guid>
      <description>
        <![CDATA[<p data-start="365" data-end="793">&ldquo;我们设计贝鲁特&rdquo;活动将于 2025 年 10 月 22 日至 26 日迎来第二届，再次彰显贝鲁特这座城市在全球设计对话中的关键地位。该设计盛会为期五天，以黎巴嫩一些最具历史意义的遗址为背景，将建筑、工艺与文化融为一体，围绕传承、复兴与延续性等主题展开深入探讨。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68d5/24aa/27ac/8d01/8af7/8173/newsletter/we-design-beirut-2025-revitalizing-lebanons-architectural-heritage_14.jpg?1758799112"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[ArchDaily 十月专题：文化建筑]]>
      </title>
      <link>https://www.archdaily.cn/cn/1035207/jin-ri-wen-hua-jian-zhu-archdaily-shi-yue-bian-ji-zhuan-ti-ju-jiao</link>
      <pubDate>Tue, 21 Oct 2025 13:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1035207/jin-ri-wen-hua-jian-zhu-archdaily-shi-yue-bian-ji-zhuan-ti-ju-jiao</guid>
      <description>
        <![CDATA[<p>文化是人们用以表达自我、共同理解世界的一整套知识与实践。正如<a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=-YQcFNoiDMw" target="_blank" rel="noopener">巴西哲学家玛丽莱娜·肖伊（Marilena Chauí）所提醒我们的</a>那样，该词源自拉丁语“colere”，意为“照料、培育”。从这个意义上讲，农业意味着照料土壤，而宗教崇拜则是对诸神的护佑。文化的核心在于创造象征性宇宙，它通过包括建筑在内的不同语言来表达，并跨越时间编织起联系。文化既守护着过去的记忆，又为未来开辟新的可能。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68da/d35c/dfc9/5e13/0554/4497/newsletter/october-editorial-topic-the-architecture-of-culture-today_1.jpg?1759171426"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[记录时光的材质：10个运用耐候钢（Corten Steel）的当代项目]]>
      </title>
      <link>https://www.archdaily.cn/cn/1033110/ji-lu-shi-guang-de-cai-zhi-10ge-yun-yong-nai-hou-gang-corten-steel-de-dang-dai-xiang-mu</link>
      <pubDate>Mon, 20 Oct 2025 15:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1033110/ji-lu-shi-guang-de-cai-zhi-10ge-yun-yong-nai-hou-gang-corten-steel-de-dang-dai-xiang-mu</guid>
      <description>
        <![CDATA[<p>修复、<a href="https://www.archdaily.com/tag/revitalization" target="_blank" rel="noopener">活化</a>、改造 —— 这些行动在当代城市中愈发常见，建筑在其中扮演着缝合城市肌理中<a href="https://www.archdaily.cn/cn/970989/ke-chi-xu-cheng-shi-fa-zhan-yu-zai-sheng-ce-lue-gua-ying-xing-zai-li-yong" target="_blank" rel="noopener">层层叠加的时间印记的角色</a>。面对这一任务，建筑师们探索了<a href="https://www.archdaily.com/1013638/a-layered-architecture-adaptive-reuse-projects-that-reframe-the-past-through-bold-material-contrasts" target="_blank" rel="noopener">多种设计策略</a>。其中，有一种材料在历史建筑及环境的改造中频繁且有效地出现，尤为引人注目：那就是耐候钢（corten steel）。其锈迹斑斑的表面，纹理与色调丰富，似乎为如何将新元素融入旧环境这一难题提供了令人信服的答案。但为何这种材料在这些场合中如此常见？仅仅是因为它的耐用性和多功能性，还是其视觉与象征意义中蕴含着更深层次的东西？</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/688b/e727/cb12/3860/35f7/9568/newsletter/um-material-para-marcar-o-tempo-12-intervencoes-contemporaneas-que-utilizam-aco-corten_13.jpg?1753999148"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[重建巴黎圣母院：法国标志性大教堂的修复之旅]]>
      </title>
      <link>https://www.archdaily.cn/cn/1033397/zhong-jian-ba-li-sheng-mu-yuan-fa-guo-biao-zhi-xing-da-jiao-tang-de-xiu-fu-zhi-lu</link>
      <pubDate>Sun, 31 Aug 2025 11:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1033397/zhong-jian-ba-li-sheng-mu-yuan-fa-guo-biao-zhi-xing-da-jiao-tang-de-xiu-fu-zhi-lu</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/notre-dame-cathedral" target="_blank" rel="noopener">巴黎圣母院</a>于2024年12月7日重新开放，这是自2019年火灾以来 <a href="https://www.archdaily.com/1024495/notre-dame-cathedral-reopens-in-paris-france?ad_campaign=normal-tag" target="_blank" rel="noopener">首次向游客开放。巴黎圣母院的修复工程浩大，由首席建筑师菲利普·维伦纽夫（Philippe Villeneuve）牵头，雷米·弗罗蒙（Rémi Fromont）和帕斯卡尔·普吕内（Pascal Prunet）协助完成。</a>该项目涉及约2000名工匠、250家公司，耗资约9亿美元，工程规模庞大，工期紧迫，工程复杂程度不一。尽管年底前建成开放是重要的里程碑，但修复工程尚未完工，预计持续到2026年。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/675a/dd76/04ed/8e2e/60e3/29ec/newsletter/notre-dame-rebuilt-a-journey-of-restoration-for-frances-iconic-cathedral_1.jpg?1734008212"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[城墙之上：21 项对城堡与堡垒的当代改造干预]]>
      </title>
      <link>https://www.archdaily.cn/cn/1032758/cheng-qiang-zhi-shang-21-xiang-dui-cheng-bao-yu-bao-lei-de-dang-dai-gai-zao-gan-yu</link>
      <pubDate>Fri, 29 Aug 2025 13:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1032758/cheng-qiang-zhi-shang-21-xiang-dui-cheng-bao-yu-bao-lei-de-dang-dai-gai-zao-gan-yu</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/castle" target="_blank" rel="noopener">城堡</a>与<a href="https://www.archdaily.com/tag/fortresses" target="_blank" rel="noopener">堡垒</a>，无论是独立矗立还是融入城乡景致之中，往往皆选址于具有战略意义、居高临下的要地。从高处俯瞰，它们傲视全城，其巍峨的建筑承载着厚重的历史。如今，这些场所的原始功能已仅限于供人瞻仰思索，<a href="https://www.archdaily.cn/cn/910306/du-ling-de-castello-di-rivoli-yong-jian-zhu-jiang-shu-dang-di-li-shi" target="_blank" rel="noopener">它们正经历着重估与重新融入日常城市生活的进程</a>。<a href="https://www.archdaily.com/784891/ad-classics-neuschwanstein-castle-eduard-riedel" target="_blank" rel="noopener">这些曾是军事或政治权力象征的建筑</a>，如今正通过当代改造项目焕发新生，在保留过往痕迹的同时，与其历史<a href="https://www.archdaily.com/search/projects/categories/heritage" target="_blank" rel="noopener">遗产</a>展开对话。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67f7/0b49/73b8/d401/88d7/f393/newsletter/alem-das-muralhas-21-intervencoes-contemporaneas-em-castelos-e-fortalezas_26.jpg?1744243554"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[2025 年阿卡汗建筑奖公布来自 15 个国家的 19 个入围项目]]>
      </title>
      <link>https://www.archdaily.cn/cn/1032460/2025-nian-a-qia-han-jian-zhu-jiang-gong-bu-lai-zi-15-ge-guo-jia-de-19-ge-ru-wei-xiang-mu</link>
      <pubDate>Thu, 07 Aug 2025 11:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1032460/2025-nian-a-qia-han-jian-zhu-jiang-gong-bu-lai-zi-15-ge-guo-jia-de-19-ge-ru-wei-xiang-mu</guid>
      <description>
        <![CDATA[<p>阿卡汗建筑奖（Aga Khan Award for Architecture，简称AKAA）已公布 2025 年度的 19 个入围项目。这些项目从 369 个提名项目中脱颖而出，将共同角逐 100 万美元奖金的份额，该奖项是建筑领域最负盛名的奖项之一。入围名单由一个独立的评审团确定，评审团由九名成员组成，分别是：Azra Akšamija, <a href="https://www.archdaily.com/office/noura-al-sayeh" target="_blank" rel="noopener">Noura Al Sayeh-Holtrop</a>, Lucia Allais, <a href="https://www.archdaily.com/author/david-basulto/page/1" target="_blank" rel="noopener">David Basulto</a>, <a href="https://www.archdaily.com/tag/yvonne-farrell" target="_blank" rel="noopener">Yvonne Farrell</a>, <a href="https://www.archdaily.com/tag/kabage-karanja/page/1" target="_blank" rel="noopener">Kabage Karanja</a>, Yacouba Konaté, Hassan Radoine 和 <a href="https://www.archdaily.com/800182/interview-with-woha-the-only-way-to-preserve-nature-is-to-integrate-it-into-our-built-environment" target="_blank" rel="noopener">Mun Summ Wong</a>。评审团将于今年夏末会面，审议现场评估结果，并选出第 16 届奖项周期（2023 - 2025年）的最终获奖者。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6841/7ac4/c985/fd41/f008/92ab/newsletter/aga-khan-award-for-architecture-2025-announces-19-shortlisted-projects-from-15-countries_2.jpg?1749121749"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Zaha Hadid Architects 赢得立陶宛维尔纽斯机场新到港航站楼设计竞赛]]>
      </title>
      <link>https://www.archdaily.cn/cn/1031719/zaha-hadid-architects-ying-de-li-tao-wan-wei-er-niu-si-ji-chang-xin-dao-gang-hang-zhan-lou-she-ji-jing-sai</link>
      <pubDate>Sun, 06 Jul 2025 11:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1031719/zaha-hadid-architects-ying-de-li-tao-wan-wei-er-niu-si-ji-chang-xin-dao-gang-hang-zhan-lou-she-ji-jing-sai</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/country/lithuania/page/1" target="_blank" rel="noopener">立陶宛</a>机场管理局宣布，<a href="https://www.archdaily.com/office/zaha-hadid-architects" target="_blank" rel="noopener">扎哈·哈迪德建筑事务所</a>赢得维尔纽斯机场新到港航站楼国际设计竞赛。新航站楼被构思为机场不断发展的基础设施中不可或缺的一部分，它将与近期竣工的离港<a href="https://www.archdaily.com/tag/terminal" target="_blank" rel="noopener">航站</a>楼相辅相成，使维尔纽斯<a href="https://www.archdaily.com/tag/airport" target="_blank" rel="noopener">机场</a>能够每年接待多达 1060 万人次的旅客。该项目标志着机场长期发展战略迈出的重要一步，既着眼于应对未来旅客需求的增长，又有助于提升立陶宛作为波罗的海地区关键门户的地位。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/685e/56d5/c677/4001/88a9/e7bc/newsletter/zaha-hadid-architects-wins-competition-for-new-arrivals-terminal-at-vilnius-airport-lithuania_1.jpg?1751013189"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[通过场地特定策略重新思考可持续性]]>
      </title>
      <link>https://www.archdaily.cn/cn/1028640/tong-guo-chang-di-te-ding-ce-lue-zhong-xin-si-kao-ke-chi-xu-xing</link>
      <pubDate>Sun, 29 Jun 2025 13:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1028640/tong-guo-chang-di-te-ding-ce-lue-zhong-xin-si-kao-ke-chi-xu-xing</guid>
      <description>
        <![CDATA[<p>在建筑领域，<a href="https://www.archdaily.com/tag/sustainability" target="_blank" rel="noopener">可持续性</a>常被视为一个普遍性的挑战，这导致人们倾向于采用标准化的解决方案，而这些方案往往过分强调效率而忽视了具体环境。然而，建筑本质上与其所处的环境紧密相连——建筑以需要特定性的方式与气候、地形和文化历史相互作用。那么，建筑如何能够摒弃标准化的可持续性检查清单，转而采纳<a href="https://www.archdaily.com/tag/site-specific" target="_blank" rel="noopener">场地特定</a>的解决方案呢？这一讨论与 Christian Norberg-Schulz 提出的场所精神<a href="https://en.wikipedia.org/wiki/Genius_loci?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">（Genius Loci）</a>概念紧密相关，这一概念也被那些主张设计应与周围环境产生共鸣的建筑师所接受。它表明，建筑不应强加于场地之上，而应源自场地，受其材料、气候和文化意义的影响。这一理念对广泛应用通用可持续性技术提出了挑战，而是提出可持续性必须与其所在地点内在相连。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67d1/ec1e/ee69/f101/7e2d/9686/newsletter/rethinking-sustainability-through-site-specific-strategies_80.jpg?1741810731"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[圣地亚哥 - 德孔波斯特拉建筑城市指南：探寻西班牙朝圣文化遗产与现代设计]]>
      </title>
      <link>https://www.archdaily.cn/cn/1031126/sheng-di-ya-ge-de-kong-bo-si-te-la-jian-zhu-cheng-shi-zhi-nan-tan-xun-xi-ban-ya-zhao-sheng-wen-hua-yi-chan-yu-xian-dai-she-ji</link>
      <pubDate>Mon, 16 Jun 2025 11:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1031126/sheng-di-ya-ge-de-kong-bo-si-te-la-jian-zhu-cheng-shi-zhi-nan-tan-xun-xi-ban-ya-zhao-sheng-wen-hua-yi-chan-yu-xian-dai-she-ji</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/santiago-de-compostela" target="_blank" rel="noopener">圣地亚哥 - 德孔波斯特拉</a>坐落于<a href="https://www.archdaily.com/search/projects/country/spain" target="_blank" rel="noopener">西班牙</a>西北部，作为历史悠久的圣地亚哥朝圣之路的终点，闻名于世。这座城市的建筑特色深深植根于其被<a href="https://whc.unesco.org/en/list/347/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">联合国教科文组织列为世界遗产的历史中心</a>，<a href="https://www.archdaily.com/tag/romanesque" target="_blank" rel="noopener">罗马式</a>、<a href="https://www.archdaily.com/tag/gothic" target="_blank" rel="noopener">哥特式</a>和<a href="https://www.archdaily.com/tag/baroque" target="_blank" rel="noopener">巴洛克式</a>风格在此交相辉映。像<a href="https://catedraldesantiago.es/en/cathedral/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">圣地亚哥 - 德孔波斯特拉大教堂</a>及其周边广场这样的标志性地标，体现了西班牙丰富的文化和精神遗产，构成了这座永恒城市肌理的核心。</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6809/d332/2e62/9501/884f/b9c6/newsletter/santiago-de-compostela-architecture-city-guide-exploring-spains-pilgrimage-heritage-and-modern-design_23.jpg?1745474436"></enclosure>
    </item>
  </channel>
</rss>
