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        <![CDATA[Ole Bouman：我们都可以成为建筑师]]>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/ole-bouman">Ole Bouman</a>是<a href="https://www.archdaily.com/tag/architecture">建筑</a>界最具影响力的人物之一。在当代建筑话语中，<a href="https://www.archdaily.com/tag/china">中国</a><a href="https://www.archdaily.com/tag/shenzhen">深圳</a><a href="http://www.designsociety.cn/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">设计协会</a>的创始理事从20世纪90年代起，在世界各地引入了<a href="https://www.olebouman.agency/about?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">许多设计理念，创立文化品牌，并承担机构的角色</a>。</p>]]>
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        <![CDATA[<p>在后现代主义的巅峰时期，以及城市更新和公众参与等意识的兴起，世界上第一个私人建筑艺廊--<a href="https://www.aedes-arc.de/cms/aedes/en/programm?id=19451783&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Aedes建筑论坛</a>于1980年在柏林开幕。Aedes由当时既不是建筑师也不从事建筑工作的记者<a href="https://www.archdaily.com/tag/kristin-feireiss">Kristin Feireiss</a>和Helga Retzer创立，旨在鼓励公众对围绕城市环境、空间和社会等主题进行国际之间的对话交流。</p>]]>
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