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    <title>Tag: mei-zhu-guan | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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        <![CDATA[历时20年，彼得·卒姆托设计的洛杉矶艺术博物馆正式开放]]>
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      <link>https://www.archdaily.cn/cn/1041235/li-shi-20nian-bi-de-star-zu-mu-tuo-she-ji-de-luo-shan-ji-yi-zhu-bo-wu-guan-zheng-shi-kai-fang</link>
      <pubDate>Thu, 07 May 2026 15:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>由<a href="https://www.archdaily.com/tag/los-angeles-county-museum-of-art" target="_blank" rel="noopener">彼得·卒姆托（Peter Zumthor）设计，万众期待的洛杉矶郡立艺术博物馆（LACMA）大卫·格芬画廊（David Geffen Galleries）</a>，将于 2026 年 4 月 19 日对会员开放，5 月 4 日起正式对公众开放。LACMA 扩建项目从开始筹备至建成开放耗时长达 20 年之久，卒姆托曾在采访中表示，该项目经历非常艰难，甚至让他决定“以后永远不会再在美国工作了”。</p>]]>
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      <title>
        <![CDATA[V&A 东馆伦敦东区文化区开幕！]]>
      </title>
      <link>https://www.archdaily.cn/cn/1040789/odonnell-plus-tuomey-she-ji-de-v-and-a-dong-guan-jiang-yu-lun-dun-dong-qu-wen-hua-qu-sheng-da-kai-mu</link>
      <pubDate>Wed, 22 Apr 2026 13:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>由 <a href="https://www.archdaily.com/office/o-donnell-tuomey-architects" target="_blank" rel="noopener">O'Donnell + Tuomey</a> 建筑事务所设计的 <a href="https://www.archdaily.com/tag/v-and-a-museum" target="_blank" rel="noopener">V&amp;A 东馆</a>将于 2026 年 4 月 18 日向公众开放。该事务所<a href="https://www.archdaily.cn/cn/905190/lun-dun-v-and-a-bo-wu-guan-dong-guan-zui-xin-xiao-guo-tu-gong-bu-bo-wu-guan-he-yan-jiu-zhong-xin-gong-tong-gou-jian-wen-hua-zong-he-ti" target="_blank" rel="noopener">于 2015 年受托</a>设计这座新建筑，它坐落于伊丽莎白女王奥林匹克公园内，毗邻近期开放的姐妹设施 —— <a href="https://www.archdaily.cn/cn/1030780/diller-scofidio-plus-renfro-wan-cheng-wei-duo-li-ya-yu-ai-er-bo-te-bo-wu-guan-v-and-a-dong-qu-cang-chu-kong-jian" target="_blank" rel="noopener">由 Diller Scofidio + Renfro 设计的 V&amp;A 东仓储</a>馆。V&amp;A 东馆位于英国伦敦东区，这是由伦敦市长支持打造的英国最新文化区。该双馆建筑群旨在“聚焦全球艺术家、设计师和创作者以创造力塑造世界的多种方式”。博物馆致力于创意机遇及其推动变革的力量，其五层公共空间包括两个常设展厅、一个 900 平方米的临时展厅、顶层项目与活动空间、学习设施以及一家咖啡馆。</p>]]>
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        <![CDATA[论坛、仓储库、迷宫：迈向博物馆的多元生态体系]]>
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      <link>https://www.archdaily.cn/cn/1039731/lun-tan-cang-chu-ku-mi-gong-mai-xiang-bo-wu-guan-de-duo-yuan-sheng-tai-ti-xi</link>
      <pubDate>Fri, 27 Mar 2026 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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      <description>
        <![CDATA[<p><em>本文是我们新开设的 “<a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener">观点</a>”专栏的一部分，该专栏旨在发表针对塑造我们领域的关键问题所撰写的、以论点为导向的文章。</em></p>]]>
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        <![CDATA[将展品仓库作为展览，是未来美术馆/博物馆的发展趋势吗？]]>
      </title>
      <link>https://www.archdaily.cn/cn/1034887/mu-hou-gu-shi-gong-kai-zhan-shi-zi-wo-ce-hua-de-bo-wu-guan-dang-an-tan-suo-zhi-lu</link>
      <pubDate>Tue, 10 Feb 2026 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>长期以来，参观<a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">博物馆与美术馆</a>一直是一种高度精心策划的体验。参观者在精心设计的路线引导下，依次走过各个展厅，展品均经精挑细选，并按<a href="https://www.archdaily.cn/cn/1033021/cong-xiao-wei-ni-si-dao-wei-ni-si-qia-luo-star-si-qia-pa-de-wei-nei-rui-la-guan-xu-shi" target="_blank" rel="noopener">特定叙事</a>逻辑进行陈列，同时辅以标识、图示、场景设计以及精心调控的照明。即便是那些鲜少更换的展览 —— 即常设展览，通常也依赖<a href="https://www.archdaily.cn/cn/976507/bo-wu-guan-jian-zhu-ce-zhan-kong-jian-de-jin-hua" target="_blank" rel="noopener">强有力的策展理念</a> —— 由知名艺术家或策展人主导 —— 来确立机构的立场并塑造对展品的阐释。</p>]]>
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        <![CDATA[Snøhetta 与北京建院以“汇眼”为概念，中标北京艺术博物馆]]>
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      <link>https://www.archdaily.cn/cn/1037875/snohetta-yu-bei-jing-jian-yuan-yi-hui-yan-wei-gai-nian-zhong-biao-bei-jing-yi-zhu-bo-wu-guan</link>
      <pubDate>Mon, 19 Jan 2026 13:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta?ad_source=search&amp;ad_medium=search_result_professionals">Snøhetta</a> 携手<a href="https://www.archdaily.com/office/beijing-institute-of-architectural-design/page/1" target="_blank" rel="noopener">北京市建筑设计研究院（BIAD）</a>，成功赢得<a href="https://www.archdaily.com/tag/beijing/page/1" target="_blank" rel="noopener">北京</a><a href="https://www.archdaily.com/tag/tongzhou" target="_blank" rel="noopener">通州区</a>北京艺术博物馆的国际设计竞赛。该项目已于 2025 年 12 月 31 日正式动工，预计于 2029 年竣工并向公众开放。作为北京城市副中心<a href="https://www.archdaily.com/tag/tongzhou" target="_blank" rel="noopener">通州</a>文化与民生发展战略的重要组成部分，这座博物馆被定位为城市东部的新地标。此次委托是 <a href="https://www.archdaily.com/office/snohetta?ad_source=search&amp;ad_medium=search_result_professionals">Snøhetta</a> 继 2023 年建成开放的<a href="https://www.archdaily.com/tag/beijing/page/1" target="_blank" rel="noopener">北京</a><a href="https://www.archdaily.cn/cn/1024511/snohetta-xin-zuo-bei-jing-cheng-shi-tu-shu-guan-yin-xing-shu-xia-shu-qiu" target="_blank" rel="noopener">城市图书馆</a>后，在<a href="https://www.archdaily.com/country/china/page/1" target="_blank" rel="noopener">中国</a>首都承接的第二个重大文化项目，后者现已成为<a href="https://www.archdaily.com/tag/civic-architecture" target="_blank" rel="noopener">当代城市公共建筑</a>的标杆性范例。</p>]]>
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        <![CDATA[从盐厂到艺术博物馆：德国埃森市施豪德波特（Schaudepot）背后的故事]]>
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      <link>https://www.archdaily.cn/cn/1033768/cong-yan-han-dao-yi-zhu-bo-wu-guan-de-guo-ai-sen-shi-shi-hao-de-bo-te-schaudepot-bei-hou-de-gu-shi</link>
      <pubDate>Mon, 15 Sep 2025 11:00:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>作为昔日<a href="https://www.archdaily.com/tag/europe" target="_blank" rel="noopener">欧洲</a>最大的煤矿，<a href="https://www.archdaily.com/city/essen" target="_blank" rel="noopener">德国埃森市</a>的关税同盟煤矿工业建筑群（<a href="https://www.zollverein.de?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Zollverein</a>）在过去二十五年间经历了翻天覆地的变化。曾经遍布废弃工业设施的这片土地，如今已成为<a href="https://www.archdaily.com/534996/a-photographic-journey-through-zollverein-a-post-industrial-landscape-turned-machine-age-playground" target="_blank" rel="noopener">当代建筑的试验场</a>，汇聚了雷姆·库哈斯（<a href="http://www.archdaily.com/tag/rem-koolhaas/" target="_blank" rel="noopener">Rem Koolhaas</a>）、诺曼·福斯特（<a href="http://www.archdaily.com/tag/norman-foster/" target="_blank" rel="noopener">Norman Foster</a>）和 <a href="http://www.archdaily.com/tag/sanaa" target="_blank" rel="noopener">SANAA</a> 等建筑大师的作品。他们的设计在<a href="https://www.archdaily.com/955139/transforming-factories-into-living-spaces-the-changing-face-of-spains-industrial-architecture" target="_blank" rel="noopener">场地工业历史</a>与未来想象之间架起了桥梁。这片占地 100 公顷的联合国教科文组织世界遗产地，已成为<a href="https://www.archdaily.com/1009776/building-upon-the-built-adaptive-reuse-of-industrial-architecture-in-brazil" target="_blank" rel="noopener">适应性再利用</a>的全球典范，重新定义了<a href="https://www.archdaily.com/967100/industrial-nouveau-dramatic-renovation-projects-reimagining-urban-life" target="_blank" rel="noopener">工业遗产保护</a>的意义。在此背景下，鲁尔博物馆（Ruhr Museum）及其神秘的艺术仓库 —— 施豪德波特（Schaudepot）应运而生。该博物馆位于建筑群内的原盐厂内，不仅以其藏品令人印象深刻，更以其建筑魅力脱颖而出 —— 它将一座 20 世纪 60 年代的工业建筑改造成了一个充满活力的文化场所。</p>]]>
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        <![CDATA[David Chipperfield 公布拉赫当代艺术博物馆方案]]>
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      <link>https://www.archdaily.cn/cn/1031026/david-chipperfield-architects-designs-lah-contemporary-art-museum-near-lake-bled-in-slovenia</link>
      <pubDate>Wed, 11 Jun 2025 17:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>由 <a href="https://www.archdaily.com/office/david-chipperfield-architects">David Chipperfield Architects</a> 设计的新<a href="https://www.archdaily.com/tag/contemporary" target="_blank" rel="noopener">当代艺术博物馆</a> —— 拉赫博物馆（Muzej Lah）将于 2026 年夏季在<a href="https://www.archdaily.com/country/slovenia/page/1" target="_blank" rel="noopener">斯洛文尼亚</a>的<a href="https://www.archdaily.com/tag/bled/page/1" target="_blank" rel="noopener">布莱德（Bled）</a>正式开放。该<a href="https://www.archdaily.com/tag/museum/page/1" target="_blank" rel="noopener">博物馆</a>坐落于尤利安阿尔卑斯山脉的山麓地带，将收藏拉赫基金会（Fundacija Lah）的<a href="https://www.archdaily.com/tag/art" target="_blank" rel="noopener">艺术</a>藏品，这些藏品由斯洛文尼亚慈善家伊戈尔·拉赫（Igor Lah）和莫伊卡·拉赫（Mojca Lah）历经三十余年精心打造。随着该机构的开放，这些藏品将首次向公众开放展示。</p>]]>
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        <![CDATA[哪些人影响了当代建筑在亚洲的发展？]]>
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      <link>https://www.archdaily.cn/cn/1026840/xian-dai-zhu-yi-zai-ya-zhou-jian-zhu-zhong-de-yan-bian-guan-jian-ren-wu-yu-biao-zhi-xing-xiang-mu</link>
      <pubDate>Wed, 05 Mar 2025 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>现代主义建筑起源于20世纪初，受科学与工程进步的推动，并刻意摆脱<a href="https://www.archdaily.com/972519/cologne-city-guide-10-projects-you-shouldnt-miss" target="_blank" rel="noopener">历史风格</a>。它倡导注重<a href="https://www.archdaily.com/1021532/designing-with-empathy-architecture-for-social-equity" target="_blank" rel="noopener">社会公平</a>、城市发展、效率和功能性设计，标志着建筑哲学的一次重大转变。尽管现代主义最初主要源自欧洲和美国，但它通过东西方<a href="https://www.archdaily.com/923670/kengo-kuma-on-career-choices-cross-cultural-education-and-his-proudest-moment-in-architecture" target="_blank" rel="noopener">文化的交融</a>，很快便影响到亚洲。亚洲的现代主义受到许多东亚建筑师在西方现代主义大师门下学习的启发，以及欧洲建筑师在亚洲的工作和殖民时代的影响。</p>]]>
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        <![CDATA[格拉茨美术馆：历史地标中的“友好外星客”]]>
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      <link>https://www.archdaily.cn/cn/1026948/ge-la-ci-mei-zhu-guan-li-shi-di-biao-zhong-de-you-hao-wai-xing-ke</link>
      <pubDate>Mon, 17 Feb 2025 11:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>由<a href="https://www.archdaily.com/976026/the-delight-i-get-out-of-doing-buildings-is-to-say-it-can-be-built-in-conversation-with-peter-cook?ad_campaign=normal-tag?ad_medium=widget&amp;ad_name=related-article&amp;ad_content=1021322" target="_blank" rel="noopener">彼得·库克</a>和<a href="https://www.archdaily.com/1021322/colin-fournier-co-founder-of-archigram-passes-away-at-79?ad_campaign=normal-tag" target="_blank" rel="noopener">科林·富尼耶</a>设计的<a href="https://www.archdaily.com/tag/kunsthaus-graz" target="_blank" rel="noopener">格拉茨美术馆</a>，大胆地在历史名城中重新定义了当代建筑。该美术馆于 2003 年竣工，成为<a href="https://www.unesco.org/en/creative-cities/graz?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">格拉茨欧洲文化之都</a>庆典的焦点，其生物形态设计，昵称“友好外星客”，吸引了全球目光。在<a href="https://www.archdaily.com/tag/baroque" target="_blank" rel="noopener">巴洛克</a>和<a href="https://www.archdaily.com/tag/medieval-architecture" target="_blank" rel="noopener">中世纪风格</a>的环绕中，它连接了过去与未来，成为<a href="http://www.graz-cityofdesign.at/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">这座城市文化雄心</a>的见证。</p>]]>
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        <![CDATA[再利用的文化：5 座融入历史语境的欧洲博物馆]]>
      </title>
      <link>https://www.archdaily.cn/cn/1023827/zai-li-yong-de-wen-hua-5ge-rong-ru-li-shi-yu-jing-de-ou-zhou-bo-wu-guan</link>
      <pubDate>Sat, 14 Dec 2024 11:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/975099/the-architecture-of-museums-the-evolution-of-curatorial-spaces" target="_blank" rel="noopener">博物馆</a>，作为文化展示的核心场所，历经演变，已逐渐发展为一个融合特定文化内涵、以清晰叙事传递历史的空间。在这一过程中，建筑与展陈之间的关系尤为重要。建筑师不仅要设计承载艺术品或文物的展示空间，更需精心组织观展动线，将文化叙事与空间体验巧妙结合。然而，并非所有博物馆的建筑都为这一功能专门设计。</p>]]>
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        <![CDATA[15个墨西哥当代博物馆与文化建筑]]>
      </title>
      <link>https://www.archdaily.cn/cn/1022422/chuan-bo-ben-tu-wen-hua-mo-xi-ge-cheng-de-15ge-dang-dai-bo-wu-guan-yu-wen-hua-kong-jian</link>
      <pubDate>Sun, 27 Oct 2024 15:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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      <description>
        <![CDATA[<p>墨西哥城因其丰富的博物馆、<a href="https://whc.unesco.org/en/list/412/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">遗产地和文化丰富性</a>而闻名。事实上，这座城市的首都拥有173多个博物馆，大大小小分布在其16个市区（alcaldías）中。这些文化空间的存在注入并加强了这座生机勃勃的城市的艺术魅力与特色。许多开创性的墨西哥建筑师将现代艺术与建筑交织在一起，这催生了标志性的博物馆和<a href="https://www.archdaily.com/866897/30-sites-every-architect-should-visit-in-mexico-city">墨西哥现代主义建筑的经典作品</a>。</p>]]>
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        <![CDATA[BIG将超市建筑重构为丹麦纸艺博物馆]]>
      </title>
      <link>https://www.archdaily.cn/cn/1021599/bigjiang-chao-shi-jian-zhu-zhong-gou-wei-dan-mai-zhi-yi-bo-wu-guan</link>
      <pubDate>Thu, 26 Sep 2024 13:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group">Bjarke Ingels Group (BIG) </a>正领导着将<a href="https://www.archdaily.cn/search/cn/projects/country/dan-mai?ad_medium=filters" target="_blank" rel="noopener">丹麦</a>北日德兰地区一家前超市<a href="https://www.archdaily.com/tag/transformation" target="_blank" rel="noopener">改造</a>成新纸艺博物馆的项目。纸艺深深植根于丹麦<a href="https://www.archdaily.com/tag/cultural-heritage" target="_blank" rel="noopener">文化遗产</a>之中，以 Le Klint 的折叠灯罩和 H.C. Andersen 的精致剪纸为代表，此次翻新和扩建旨在提升博物馆的知名度并使游客数量翻倍。该设计将庆祝纸艺作为艺术形式和<a href="https://www.archdaily.cn/tag/craft" target="_blank" rel="noopener">工艺</a>，扩大博物馆在推广这一独特遗产方面的作用。</p>]]>
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        <![CDATA[6个美国工业遗产建筑改造为办工空间]]>
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      <link>https://www.archdaily.cn/cn/1016351/mei-guo-cheng-shi-de-li-shi-gong-ye-jian-zhu-gai-zao-6ge-gua-ying-dang-dai-gong-zuo-kong-jian-de-jian-zhu</link>
      <pubDate>Thu, 22 Aug 2024 15:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[<p style="font-weight: 400;">许多美国大城市正面临大量废弃的工业建筑。这些建筑具有历史和建筑意义，通常受到保护不能拆除。因此，建筑师们面临着<a href="https://www.archdaily.com/search/projects/categories/adaptive-reuse" target="_blank" rel="noopener">将这些建筑物</a>改造为当代功能空间的挑战和责任。选择不拆除体现了一种可持续的建筑方法，同时也强调了尊重建筑遗产的重要性。</p>]]>
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        <![CDATA[旧建筑改造成艺术空间，20 个拉丁美洲项目]]>
      </title>
      <link>https://www.archdaily.cn/cn/1014017/jiu-jian-zhu-gai-zao-cheng-yi-zhu-kong-jian-20-ge-la-ding-mei-zhou-xiang-mu</link>
      <pubDate>Wed, 17 Apr 2024 17:00:00 +0000</pubDate>
      <dc:creator>Belén Maiztegui</dc:creator>
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      <description>
        <![CDATA[<p>由于城市经济、社会和技术的不断变化，许多建筑经常废弃不用。当今时代的计划不一致要求我们的基础设施具有很强的多功能性和适应性，这导致越来越多的项目变得无人居住，任其荒废和衰败。</p>]]>
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        <![CDATA[Snøhetta ‘乔斯林艺术博物馆扩建’将于今年9月开放，弧形延伸]]>
      </title>
      <link>https://www.archdaily.cn/cn/1013969/snohetta-qiao-si-lin-yi-zhu-bo-wu-guan-kuo-jian-jiang-yu-jin-nian-9yue-kai-fang-hu-xing-yan-shen</link>
      <pubDate>Mon, 04 Mar 2024 13:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>内布拉斯加州乔斯林艺术博物馆宣布，由 <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a> 和 <a href="https://www.alleypoyner.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Alley Poyner Macchietto Architecture（APMA）</a>主导的修复和改造工程已接近尾声，改造后的博物馆计划于 2024 年 9 月 10 日重新开放。由<a href="https://www.archdaily.com/965867/snohetta-reveals-design-for-the-expansion-of-nebraskas-largest-art-museum" target="_blank" rel="noopener"> Snøhetta 和 APMA 设计的新的朗达和 Rhonda &amp; Howard Hawks 馆</a>占地 42,000 平方英尺，将为内布拉斯加州最大的艺术博物馆增添新的画廊空间，成为重新打造游客体验的大型项目的核心。</p>]]>
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        <![CDATA[赫尔佐格&德梅隆公布‘卡塔尔卢赛尔艺术博物馆’方案，微型城市]]>
      </title>
      <link>https://www.archdaily.cn/cn/1013489/he-er-zuo-ge-and-de-mei-long-gong-bu-qia-ta-er-lu-sai-er-yi-zhu-bo-wu-guan-fang-an-wei-xing-cheng-shi</link>
      <pubDate>Thu, 22 Feb 2024 11:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/qatar-museums" target="_blank" rel="noopener">卡塔尔博物馆</a>发布了展示未来卢赛尔博物馆的效果图，该博物馆由瑞士<a href="https://www.archdaily.com/office/herzog-and-de-meuron" target="_blank" rel="noopener">赫尔佐格和德梅隆</a>建筑事务所设计。该博物馆将成为收藏东方艺术藏品最多的博物馆之一，探索几个世纪以来全球范围内人员和思想的流动。新馆还致力于为学者、学术界、决策者和策展人提供高层次的研究机会。因此，这座建筑被构想为“一个<a href="https://www.archdaily.com/tag/souks" target="_blank" rel="noopener">垂直分层的露天市场</a>，或包含在一座建筑中的微型城市”，旨在鼓励就全球问题进行对话、辩论和沉思。</p>]]>
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        <![CDATA[赫尔佐格&德梅隆赢‘首尔博物档案室 Seoripul ’，坚固的“塔”]]>
      </title>
      <link>https://www.archdaily.cn/cn/1012939/he-er-zuo-ge-and-de-mei-long-ying-de-shou-er-kai-fang-shi-yi-zhu-pin-chu-cang-she-shi-seoripul-jing-sai-ti-xing-jin-zi-ta</link>
      <pubDate>Tue, 06 Feb 2024 11:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>赫尔佐格与德梅隆（Herzog &amp; de Meuron）公布了 Seoripul 开放式艺术仓库的设计方案，这是一个集体档案空间，将为首尔的三家博物馆提供服务：首尔艺术博物馆、首尔工艺艺术博物馆和首尔历史博物馆。除档案项目外，该提案还旨在向游客开放建筑，将艺术品仓库转变为一个充满活力的公共空间。该建筑位于 Seoripul 公园的东部边界，其特点是金字塔形的玻璃结构坐落在一个花园中，为档案馆/博物馆的游客提供了一个隐蔽的室外空间。</p>]]>
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        <![CDATA[如何利用滑动玻璃板系统提升当代展览设计水平？]]>
      </title>
      <link>https://www.archdaily.cn/cn/1010383/ru-he-li-yong-hua-dong-bo-li-ban-xi-tong-ti-sheng-dang-dai-zhan-lan-she-ji-shui-ping</link>
      <pubDate>Thu, 02 Nov 2023 16:00:00 +0000</pubDate>
      <dc:creator>Mark C. O'Flaherty</dc:creator>
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        <![CDATA[<p>一些最令人难忘、最令人感动的展览都是简化陈设、突出物品和叙事的展览，同时减少了其他一切的注意力。博物馆策展人的目标是，以严谨细致、最现代的方式呈现展览。安装过程不应该是费力的，建筑师的指纹不应该清晰可见，参观者的眼睛希望看到的是高级时装、考古珍品和雕塑的完整轮廓。展览讲述的是故事，而每场展览的设计就是媒介。展示必须简洁、清晰、明快。完美的感觉能提升收藏品的独特性；几乎不明显的接合点、线条和整体的透明感都能实现这一点。</p>]]>
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