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    <title>Tag: jian-zhu-zhan-lan | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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      <title>
        <![CDATA[策展文化：当建筑师作为策展人]]>
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      <link>https://www.archdaily.cn/cn/1041607/ce-zhan-wen-hua-dang-jian-zhu-shi-zuo-wei-ce-zhan-ren</link>
      <pubDate>Tue, 09 Jun 2026 11:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.cn/cn/tag/jian-zhu" target="_blank" rel="noopener">建筑</a>从未局限于建造行为本身。它始终在物质实践与思想反思之间不断协商。然而，在二十世纪与二十一世纪，许多建筑师逐渐意识到，仅凭建成项目并不足以回应这一学科所面对的复杂问题。经济压力、政治语境与功能需求常常限制了建筑实践的范围。</p>]]>
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        <![CDATA[将展品仓库作为展览，是未来美术馆/博物馆的发展趋势吗？]]>
      </title>
      <link>https://www.archdaily.cn/cn/1034887/mu-hou-gu-shi-gong-kai-zhan-shi-zi-wo-ce-hua-de-bo-wu-guan-dang-an-tan-suo-zhi-lu</link>
      <pubDate>Tue, 10 Feb 2026 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1034887/mu-hou-gu-shi-gong-kai-zhan-shi-zi-wo-ce-hua-de-bo-wu-guan-dang-an-tan-suo-zhi-lu</guid>
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        <![CDATA[<p>长期以来，参观<a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">博物馆与美术馆</a>一直是一种高度精心策划的体验。参观者在精心设计的路线引导下，依次走过各个展厅，展品均经精挑细选，并按<a href="https://www.archdaily.cn/cn/1033021/cong-xiao-wei-ni-si-dao-wei-ni-si-qia-luo-star-si-qia-pa-de-wei-nei-rui-la-guan-xu-shi" target="_blank" rel="noopener">特定叙事</a>逻辑进行陈列，同时辅以标识、图示、场景设计以及精心调控的照明。即便是那些鲜少更换的展览 —— 即常设展览，通常也依赖<a href="https://www.archdaily.cn/cn/976507/bo-wu-guan-jian-zhu-ce-zhan-kong-jian-de-jin-hua" target="_blank" rel="noopener">强有力的策展理念</a> —— 由知名艺术家或策展人主导 —— 来确立机构的立场并塑造对展品的阐释。</p>]]>
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        <![CDATA[建筑无垠，扎哈事务所展览于深圳开幕]]>
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      <link>https://www.archdaily.cn/cn/1037986/jian-zhu-wu-yin-zha-ha-shi-wu-suo-zhan-lan-yu-shen-zhen-kai-mu</link>
      <pubDate>Wed, 21 Jan 2026 11:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>《建筑无垠：扎哈·哈迪德建筑事务所设计展》在<a href="https://www.archdaily.com/country/china" target="_blank" rel="noopener">中国</a><a href="https://www.archdaily.com/city/shenzhen" target="_blank" rel="noopener">深圳</a>市当代艺术与城市规划馆 ( MOCAUP ) 呈现，本次展览梳理了 <a href="https://www.archdaily.com/office/zaha-hadid-architects" target="_blank" rel="noopener">扎哈·哈迪德建筑事务所 ( ZHA ) </a>过去 50 年间在设计上的演进与发展轨迹。ZHA 以其一系列令人惊叹的建筑作品重新定义了 21 世纪的建筑语言，在全球范围内激发了无限想象。作为一次深入探索 ZHA 先锋建筑的旅程，本次展览以时间与主题为叙事线索，呈现了 ZHA 在跨学科研究与设计方法上的成果。</p>]]>
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        <![CDATA[从生态体系到日常生活：2025 年建筑展览的回顾]]>
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      <link>https://www.archdaily.cn/cn/1037408/cong-sheng-tai-ti-xi-dao-ri-chang-sheng-huo-2025-nian-jian-zhu-zhan-lan-de-hui-gu</link>
      <pubDate>Sat, 17 Jan 2026 11:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1036469/the-year-in-review-archdailys-december-editorial-focus" target="_blank" rel="noopener">过去一年，建筑领域迎来了一段自我反思的时期</a>。随着 2025 年的展开，面对不断变化的环境与<a href="https://www.archdaily.com/1027904/art-activism-and-the-city-illuminating-social-change" target="_blank" rel="noopener">社会现实</a>，这一学科在其对自身角色定位以及用户与之互动方式的理解上，步入了一个更为广泛的转折点。过去一年中，<a href="https://www.archdaily.com/tag/exhibitions" target="_blank" rel="noopener">展览</a>的关注点从将建筑视为孤立对象，转向对<a href="https://www.archdaily.com/tag/ecology" target="_blank" rel="noopener">生态</a>、<a href="https://www.archdaily.com/tag/equity" target="_blank" rel="noopener">公平</a>、日常生活与集体想象之间关系的更广泛理解。在各大城市与机构中，展览不再仅仅作为展示窗口，而更多地充当了讨论平台：在这里，建筑不仅得以呈现，更被构想、质疑，并经由集体智慧重新定义。</p>]]>
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        <![CDATA[王澍与陆文宇获任 2027 年威尼斯建筑双年展策展人]]>
      </title>
      <link>https://www.archdaily.cn/cn/1036534/wang-shu-yu-lu-wen-yu-huo-ren-2027-nian-wei-ni-si-jian-zhu-shuang-nian-zhan-ce-zhan-ren</link>
      <pubDate>Wed, 03 Dec 2025 09:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>威尼斯双年展宣布，<a href="https://www.labiennale.org/en/news/wang-shu-and-lu-wenyu-curators-biennale-architettura-2027?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">建筑师王澍与陆文宇将担任第二十届国际建筑展策展人</a>，该展览将于 2027 年 5 月开幕。作为<a href="https://www.archdaily.com/tag/amateur-architecture-studio" target="_blank" rel="noopener">业余建筑工作室</a>的创始人及当代建筑实践领域的领军人物，二人以扎根于工艺、材料再利用以及深度融入场地环境的创作理念而闻名。他们的获任将使人们的目光再次聚焦于地方性知识、建造文化以及塑造当今建筑的社会现实。</p>]]>
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        <![CDATA[第五届首尔建筑与城市设计双年展开幕，托马斯·赫斯维克（Thomas Heatherwick）担任总策展人]]>
      </title>
      <link>https://www.archdaily.cn/cn/1034889/di-wu-jie-shou-er-jian-zhu-yu-cheng-shi-she-ji-shuang-nian-zhan-kai-mu-tuo-ma-si-star-he-si-wei-ke-thomas-heatherwick-dan-ren-zong-ce-zhan-ren</link>
      <pubDate>Mon, 13 Oct 2025 17:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/seoul-biennale-2025" target="_blank" rel="noopener">第五届首尔建筑与城市设计双年展</a>于9月26日在<a href="https://www.archdaily.com/tag/seoul" target="_blank" rel="noopener">首尔</a>市中心的松岘绿色广场（Songhyeon Green Plaza）盛大开幕。作为<a href="https://www.archdaily.com/tag/asia" target="_blank" rel="noopener">亚洲</a>规模最大的公共<a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">建筑</a><a href="https://www.archdaily.com/tag/festival" target="_blank" rel="noopener">盛会</a>，本届双年展由<a href="https://www.archdaily.com/tag/thomas-heatherwick/page/1" target="_blank" rel="noopener">托马斯·赫斯维克（Thomas Heatherwick）</a><a href="https://www.archdaily.com/1017369/heatherwick-studio-selected-as-curator-of-seoul-biennale-of-architecture-and-urbanism-2025?ad_campaign=normal-tag" target="_blank" rel="noopener">担任总策划</a>，以“如何让城市变得‘更加人性化’”为核心策展主题。<a href="https://www.archdaily.com/tag/biennale/page/1" target="_blank" rel="noopener">展览</a>将持续至11月18日，期间将汇聚各类<a href="https://www.archdaily.com/tag/biennale/page/1" target="_blank" rel="noopener">展览</a>、全球论坛以及由市民主导的项目，共同探讨<a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">建筑</a>在塑造更具包容性与<a href="https://www.archdaily.com/tag/urban" target="_blank" rel="noopener">可持续性城市环境</a>中所发挥的作用。</p>]]>
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        <![CDATA[勒·柯布西耶与巴西现代主义：ABERTO4 展览于巴黎罗什宅邸（Maison La Roche）开幕]]>
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      <link>https://www.archdaily.cn/cn/1032423/le-star-ke-bu-xi-ye-yu-ba-xi-xian-dai-zhu-yi-aberto4-zhan-lan-yu-ba-li-luo-shi-zhai-di-maison-la-roche-kai-mu</link>
      <pubDate>Wed, 30 Jul 2025 17:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p id="">ABERTO 展览平台由艺术顾问菲利佩·阿西斯（Filipe Assis）于 2022 年创立，旨在颂扬<a href="https://www.archdaily.com/country/brazil" target="_blank" rel="noopener">巴西</a>及全球范围内艺术、设计与建筑的交融。该平台在私人和公共<a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">现代主义空间</a>举办展览，往期展览凸显了自 20 世纪起巴西人构建的全球联系。在<a href="https://www.archdaily.com/city/sao-paulo" target="_blank" rel="noopener">圣保罗</a>举办三场展览后，“ABERTO 4 —— 勒·柯布西耶之后的巴西”作为其首个国际展览，将于 2025 年 5 月 14 日至 6 月 8 日在<a href="https://www.archdaily.com/151365/ad-classics-villa-roche-le-corbusier" target="_blank" rel="noopener">巴黎勒·柯布西耶设计的罗什宅邸（Maison La Roche）</a>举行。展览将展出约 35 件巴西艺术家的设计与艺术作品，聚焦勒·柯布西耶与<a href="https://www.archdaily.com/tag/brazilian-modern-architecture" target="_blank" rel="noopener">巴西现代主义建筑</a>的开创性关联，并探讨他对当代巴西创意人士的影响。ABERTO 往期展览曾在 <a href="https://www.archdaily.com/tag/oscar-niemeyer" target="_blank" rel="noopener">Oscar Niemeyer</a> (2022) <a href="https://www.archdaily.com/tag/vilanova-artigas" target="_blank" rel="noopener">Vilanova Artigas</a> (2023) <a href="https://www.archdaily.com/tag/ruy-ohtake" target="_blank" rel="noopener">Ruy Ohtake</a> 和 <a href="https://www.archdaily.com/tag/chu-ming-silveira" target="_blank" rel="noopener">Chu Ming Silveira</a> (2024) 设计的住宅中，展出 100 多位来自巴西及全球艺术家的作品。</p>]]>
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        <![CDATA[2025 年威尼斯建筑双年展：你所需要知道的一切]]>
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      <link>https://www.archdaily.cn/cn/1032459/2025-nian-wei-ni-si-jian-zhu-shuang-nian-zhan-ni-suo-xu-yao-zhi-dao-de-qie</link>
      <pubDate>Tue, 29 Jul 2025 17:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>下周，建筑界将聚焦意大利，迎来<a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">第 19 届威尼斯建筑双年展</a>的开幕。今年这届以<a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale" target="_blank" rel="noopener">“智性·自然·人工·共生”（“Intelligens. Natural. Artificial. Collective”）</a>为主题的双年展，将汇聚逾 <a href="https://www.archdaily.com/1029692/discover-the-full-list-of-special-projects-and-participants-of-the-2025-venice-architecture-biennale" target="_blank" rel="noopener">750 位参展者</a>，从多维度探讨建筑在应对<a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener">气候变化</a>、<a href="https://www.archdaily.com/tag/population" target="_blank" rel="noopener">人口流动</a>以及<a href="https://www.archdaily.com/tag/artificial-intelligence" target="_blank" rel="noopener">人工智能</a>等议题中所扮演的角色。据公布的数据显示，策展人卡洛·拉蒂（<a href="https://www.archdaily.com/tag/carlo-ratti" target="_blank" rel="noopener">Carlo Ratti</a>）打造的此次盛会，有望成为威尼斯历史上规模最大的<a href="https://www.archdaily.com/tag/architecture-biennale" target="_blank" rel="noopener">建筑双年展</a>。以下，我们将解答关于 <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 年威尼斯建筑双年展</a>的 10 个最常见问题。</p>]]>
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        <![CDATA[“聚焦人、自然与情感”：对话中国馆策展人马岩松]]>
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      <link>https://www.archdaily.cn/cn/1032418/ju-jiao-ren-zi-ran-yu-qing-gan-dui-hua-zhong-guo-guan-ce-zhan-ren-ma-yan-song</link>
      <pubDate>Mon, 28 Jul 2025 17:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>在<a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">第 19 届威尼斯建筑双年展</a>上，<a href="https://www.archdaily.com/1029950/ma-yansong-curates-chinas-pavilion-at-the-venice-architecture-biennale-2025-exploring-coexistence-through-nature-and-technology" target="_blank" rel="noopener">中国馆推出名为“共生（Coexist）”的展览</a>，该展览由 <a href="https://www.archdaily.com/office/mad-architects?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">MAD 建筑事务所</a>创始人<a href="https://www.archdaily.com/tag/ma-yansong/page/1" target="_blank" rel="noopener">马岩松</a>担任策展人。中国馆汇聚了十支<a href="https://www.archdaily.com/tag/interdisciplinary" target="_blank" rel="noopener">跨学科</a>团队，成员涵盖建筑师、学者、学生、科学家，甚至还有社交媒体参与者，共同探究建筑在调和<a href="https://www.archdaily.com/tag/tradition" target="_blank" rel="noopener">传统</a>与<a href="https://www.archdaily.com/tag/future" target="_blank" rel="noopener">未来</a>、<a href="https://www.archdaily.com/tag/artificial" target="_blank" rel="noopener">人工</a>与<a href="https://www.archdaily.com/tag/nature" target="_blank" rel="noopener">自然</a>、<a href="https://www.archdaily.com/tag/technology" target="_blank" rel="noopener">科技</a>与情感之间的矛盾时所蕴含的潜力。<a href="https://www.archdaily.com/1029950/ma-yansong-curates-chinas-pavilion-at-the-venice-architecture-biennale-2025-exploring-coexistence-through-nature-and-technology" target="_blank" rel="noopener">“共生”</a>展览并非呈现单一视角，而是旨在为回应塑造当代建筑的多元现实留出空间。在<a href="https://www.archdaily.com/tag/venice" target="_blank" rel="noopener">威尼斯</a>现场，ArchDaily 的编辑们有机会与策展人就影响中国馆创作理念的相关问题展开探讨。</p>]]>
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        <![CDATA[中银胶囊塔修复模块在纽约现代艺术博物馆（MoMA）展出一年]]>
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      <link>https://www.archdaily.cn/cn/1032322/dong-jing-zhong-yin-xiao-nang-ta-xiu-fu-mo-kuai-zai-niu-yue-xian-dai-yi-zhu-bo-wu-guan-moma-zhan-chu-nian</link>
      <pubDate>Thu, 24 Jul 2025 13:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>2025 年 7 月 10 日至 2026 年 7 月 12 日，纽约现代艺术博物馆（<a href="https://www.archdaily.com/tag/moma" target="_blank" rel="noopener">MoMA</a>）将举办一场以<a href="https://www.archdaily.com/616907/spotlight-kisho-kurokawa" target="_blank" rel="noopener">日本建筑师黑川纪章</a>设计的<a href="https://www.archdaily.com/tag/nakagin-capsule-tower" target="_blank" rel="noopener">中银胶囊塔</a>为主题的展览。展览名为《中银胶囊塔的多样生命》，回顾了这座建筑 50 年的历程。中银胶囊塔于 1972 年在<a href="https://www.archdaily.com/city/tokyo" target="_blank" rel="noopener">东京</a>银座建成，<a href="https://www.archdaily.com/979591/nakagin-capsule-tower-building-to-be-demolished-mid-april" target="_blank" rel="noopener">2022 年被拆除</a>，此次展览将通过背景资料、原始图纸、档案录像以及一个完整修复的胶囊单元来呈现这座建筑。展览旨在引发人们对城市如何处理老旧建筑以及城市区域快速变迁问题的思考。记录该塔五十年间持续演变的丰富资料，鼓励观众思考建筑如何超越原有用途，通过承担新角色和功能来实现延续。</p>]]>
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        <![CDATA[建筑事务所与他们的建筑研究智库]]>
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      <link>https://www.archdaily.cn/cn/1030486/shi-jian-tuo-zhan-yan-jiu-yu-she-ji-jiao-hui-chu-de-jian-zhu-zhi-ku</link>
      <pubDate>Mon, 07 Jul 2025 13:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>在<a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">建筑</a>领域，多数实践的核心在于向客户交付项目。事务所的日常运作往往被期限、预算和明确的设计任务书所主导。尽管这种模式催生了大量建筑作品，却鲜少为建筑师留出空间，去质疑那些更宏大的议题 —— 比如我们的生活方式、<a href="https://www.archdaily.com/1009199/our-cities-arent-dead-yet" target="_blank" rel="noopener">城市的变迁轨迹</a>，或未来对设计提出的深层需求。然而，在这一以生产为导向的体系之外，一股悄然兴起的趋势正重塑行业生态：以<a href="https://www.archdaily.com/tag/studio" target="_blank" rel="noopener">研究</a>、<a href="https://www.archdaily.com/tag/collective" target="_blank" rel="noopener">实验</a>与<a href="https://www.archdaily.com/tag/foundation" target="_blank" rel="noopener">反思</a>为优先使命的工作室、团体与基金会应运而生。它们构成了建筑领域的智库 —— 这些空间的存在并非为了即刻建造，而是为思考开辟先机。</p>]]>
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        <![CDATA[合院主义·城乡校园：王维仁x王澍x陆文宇x张永和x朱涛x朱竞翔的对话]]>
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      <link>https://www.archdaily.cn/cn/1031642/he-yuan-zhu-yi-star-cheng-xiang-xiao-yuan-wang-wei-ren-xwang-shu-xlu-wen-yu-xzhang-yong-he-xzhu-tao-xzhu-jing-xiang-de-dui-hua</link>
      <pubDate>Tue, 01 Jul 2025 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p id="">过去十年间，位于中国<a href="https://www.archdaily.com/tag/urbanization" target="_blank" rel="noopener">发展最为迅猛的地区</a>之一 —— 涵盖<a href="https://www.archdaily.com/search/projects/country/hong-kong" target="_blank" rel="noopener">香港</a>及<a href="https://www.archdaily.com/942022/the-greater-bay-area-integration-differentiation-and-regenerative-ecologies" target="_blank" rel="noopener">粤港澳大湾区</a>的中国南部地区，城市扩张始终受到汹涌澎湃的<a href="https://www.archdaily.com/category/commercial-architecture" target="_blank" rel="noopener">商业雄心</a>的驱动。此地的项目设计往往追求极致的<a href="https://www.archdaily.com/tag/urban-density" target="_blank" rel="noopener">密度</a>、高度与效率，催生出规模宏大的开发项目，动辄横跨数英亩土地。这些建筑群以<a href="https://www.archdaily.com/tag/transit-oriented-development" target="_blank" rel="noopener">交通导向型</a>开发为优先，常呈现为直接建于主要交通枢纽之上的大型商业综合体。这些巨型建筑通过刻意营造令人迷失方向的空间布局并延长行人通行路径，以刺激经济活动，如今已在香港、深圳等城市屡见不鲜。</p>]]>
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        <![CDATA[2025年威双加拿大馆：微型浮游生物与再生建筑实验]]>
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      <link>https://www.archdaily.cn/cn/1031338/jia-na-da-guan-jiang-yu-2025nian-wei-ni-si-shuang-nian-zhan-cheng-xian-wei-xing-fu-you-sheng-wu-zai-sheng-jian-zhu-zhong-de-xiang-xian-huo-shi-yan</link>
      <pubDate>Thu, 19 Jun 2025 17:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://canadacouncil.ca/initiatives/venice-biennale/2025?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">加拿大艺术委员会</a>在<a href="https://www.archdaily.com/country/canada/page/1" target="_blank" rel="noopener">加拿大</a>馆呈现《微型浮游生物》这一作品，作为<a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=1" target="_blank" rel="noopener">第 19 届国际建筑展 —— 2025 威尼斯双年展</a>（展览将持续至 2025 年 11 月 23 日）的一部分。该装置由“客厅集体”（Living Room Collective）开发，通过一种基于推测、以研究为导向的设计方法，来应对当下全球性的生态挑战。装置中包含 <a href="https://www.archdaily.com/tag/3d-printing/page/1" target="_blank" rel="noopener">3D 打印</a>的建筑结构，这些结构内嵌有具备碳封存能力的活体蓝藻。该项目由安德烈亚·申·灵（Andrea Shin Ling）牵头，与一群跨学科贡献者历经四年合作完成，旨在探究与<a href="https://www.archdaily.com/tag/living-architecture" target="_blank" rel="noopener">生命系</a>统共同构建<a href="https://www.archdaily.com/tag/built-environment" target="_blank" rel="noopener">建成环境</a>的可能性。</p>]]>
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        <![CDATA[2025年威尼斯建筑双年展英国馆：“不列颠修复的地质学”]]>
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      <link>https://www.archdaily.cn/cn/1031059/bu-lie-dian-xiu-fu-de-di-zhi-xue-ying-guo-guan-zai-2025nian-wei-ni-si-jian-zhu-shuang-nian-zhan-shang-tan-suo-xiu-fu-yu-geng-xin</link>
      <pubDate>Thu, 12 Jun 2025 17:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>英国馆由英国文化教育协会（<a href="https://www.archdaily.com/tag/british-council" target="_blank" rel="noopener">The British Council</a>）委托策划，以展览主题“GBR —— 不列颠修复的地质学”（GBR – Geology of Britannic Repair）亮相<a href="https://www.archdaily.com/tag/venice-biennale#:~:text=The%2019th%20exhibition%20will,year%20term%20March%202024%2D2027." target="_blank" rel="noopener">第 19 届国际建筑展</a> —— 2025 年威尼斯建筑双年展，代表<a href="https://www.archdaily.co/co/tag/united-kingdom" target="_blank" rel="noopener">英国</a>参展。此次展览由一支跨学科策展团队共同打造，成员包括内罗毕建筑工作室<a href="https://www.archdaily.com/tag/cave-bureau" target="_blank" rel="noopener"> Cave_bureau</a> 的卡巴奇·卡兰贾（Kabage Karanja）和斯特拉·穆特吉（Stella Mutegi）、英国策展人兼作家欧文·霍普金斯（<a href="https://www.archdaily.com/tag/owen-hopkins" target="_blank" rel="noopener">Owen Hopkins</a>）以及学者凯瑟琳·尤索夫（Kathryn Yusoff）教授。英国馆的策展人与委托方因深入探索英国与肯尼亚之间的关系，聚焦修复与更新主题，而荣获评审团颁发的国家参与特别提及奖。</p>]]>
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        <![CDATA[2025 年威尼斯双年展上的拉丁美洲：探寻地域、记忆与远古智慧，以构筑当下]]>
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      <link>https://www.archdaily.cn/cn/1030899/2025-nian-wei-ni-si-shuang-nian-zhan-shang-de-la-ding-mei-zhou-tan-xun-di-yu-ji-yi-yu-yuan-gu-zhi-hui-yi-gou-zhu-dang-xia</link>
      <pubDate>Fri, 06 Jun 2025 09:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1030899/2025-nian-wei-ni-si-shuang-nian-zhan-shang-de-la-ding-mei-zhou-tan-xun-di-yu-ji-yi-yu-yuan-gu-zhi-hui-yi-gou-zhu-dang-xia</guid>
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        <![CDATA[<p><a href="https://www.archdaily.cl/cl/1030114/el-pabellon-argentino-en-la-bienal-de-venecia-2025-la-siesta-como-experiencia-en-un-espacio-cargado-de-simbolismos" target="_blank" rel="noopener">第 19 届威尼斯建筑双年展于 5 月 10 日正式向公众开放</a>，它成为了一个重要的国际平台，用于探讨全球建筑的现状，并引发关于建筑学领域如今所面临的挑战的讨论 —— 这些挑战既有全球共通的，也有各个地区所特有的。本届双年展由总策展人、意大利建筑师卡洛·拉蒂（Carlo Ratti）提出主题<a href="https://www.archdaily.cl/cl/1025103/intelligens-natural-artificial-collective-carlo-ratti-anuncia-el-tema-y-titulo-para-la-bienal-de-arquitectura-de-venecia-2025" target="_blank" rel="noopener">“智慧·自然·人工·共生”</a>，该主题邀请人们反思建筑与其他领域（如艺术、人工智能和技术）之间的相互关联，同时强调地域、景观以及最重要的是共同塑造我们建成环境的人们的重要性。</p>]]>
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        <![CDATA[“核心理念在于让内容向各种可能性敞开大门”：对话 DROPCITY 创始人安德烈亚·卡普托]]>
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      <link>https://www.archdaily.cn/cn/1030784/he-xin-li-nian-zai-yu-rang-nei-rong-xiang-ge-chong-ke-neng-xing-chang-kai-da-men-dui-hua-dropcity-chuang-shi-ren-an-de-lie-ya-star-qia-pu-tuo</link>
      <pubDate>Wed, 04 Jun 2025 11:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1030784/he-xin-li-nian-zai-yu-rang-nei-rong-xiang-ge-chong-ke-neng-xing-chang-kai-da-men-dui-hua-dropcity-chuang-shi-ren-an-de-lie-ya-star-qia-pu-tuo</guid>
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        <![CDATA[<p data-start="0" data-end="547"><a href="https://www.dropcity.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">DROPCITY</a> 是一个雄心勃勃且开放包容的建筑与设计平台，坐落于米兰中央火车站后方曾被废弃的 Magazzini Raccordati 隧道区域内。该项目由意大利建筑师兼研究员安德烈亚·卡普托（Andrea Caputo）于 2018 年发起，并自 2024 年起实现永久开放。它将 40000 平方米的空间重新规划为公共画廊、生产工坊、原型制作实验室以及研究空间。作为该平台的创始人，安德烈亚·卡普托在 2025 年米兰设计周期间，接受了ArchDaily 执行主编玛丽亚-克里斯蒂娜·弗洛里安（Maria-Cristina Florian）的专访，共同探讨了 DROPCITY 的愿景与规划，以及该平台与米兰这座城市及其活跃的建筑界之间的紧密联系。</p>]]>
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        <![CDATA[档案的智慧：论档案留存的重要意义]]>
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      <link>https://www.archdaily.cn/cn/1030605/dang-an-de-zhi-hui-lun-dang-an-liu-cun-yu-jian-zhu-zhi-shi</link>
      <pubDate>Fri, 30 May 2025 15:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>在 <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 年威尼斯双年展</a>上，当我们谈及<a href="https://www.archdaily.com/tag/artificial-intelligence" target="_blank" rel="noopener">“智慧”</a>时，主展览将其大致划分为三个领域：自然智慧、人工智慧与集体智慧。尽管<a href="https://www.archdaily.com/tag/robotics" target="_blank" rel="noopener">机器人</a>表演、前瞻性<a href="https://www.archdaily.com/tag/material" target="_blank" rel="noopener">材料实验</a>（例如布恩瑟姆·普雷姆塔达的大象粪便砖，或是加拿大展出的令人着迷的超微型浮游生物）吸引了诸多目光，但有一种常常被忽视却至关重要的集体智慧形式，便体现在档案留存这一行为之中。</p>]]>
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        <![CDATA[2025 年威尼斯建筑双年展，11场活动]]>
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      <link>https://www.archdaily.cn/cn/1030281/2025-nian-wei-ni-si-jian-zhu-shuang-nian-zhan-can-guan-qi-jian-ke-tan-suo-de-11-chang-huo-dong</link>
      <pubDate>Tue, 20 May 2025 15:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>作为全球最重要且参观人数众多的当代建筑展览之一，<a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025?page=3" target="_blank" rel="noopener">威尼斯建筑双年展</a>的展出范围不仅局限于<a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">绿城花园（Giardini）</a>与<a href="https://www.archdaily.com/tag/arsenale" target="_blank" rel="noopener">军械库（Arsenale）</a>这两大主展区，而是致力于让整座城市都参与到围绕建筑领域相关议题、挑战与机遇的探讨之中。今年的双年展由<a href="https://www.archdaily.com/tag/carlo-ratti" target="_blank" rel="noopener">卡洛·拉蒂（Carlo Ratti）</a>策展，围绕<a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale" target="_blank" rel="noopener">“智性·自然·人工·共生”（“Intelligens. Natural. Artificial. Collective.” ）</a>这一主题展开，诚邀参观者思考建筑、技术与自然如何相互交织，进而共同塑造未来。</p>]]>
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