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    <title>Tag: hai-tan | ArchDaily</title>
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        <![CDATA[《完美日子》：对东京公共厕所的颂歌]]>
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        <![CDATA[<p style="font-weight: 400;"><em>“<a href="https://www.archdaily.cn/cn/977276/cong-yuan-zui-dao-she-chi-pin-xian-dai-she-hui-de-yu-shi-yan-jin-shi" target="_blank" rel="noopener">卫生间</a>是一个人人平等的地方——没有贫富之分，没有老少之别；每个人都是人类的一部分。”</em>这是新德国<a href="https://www.archdaily.com.br/br/category/cinema" target="_blank" rel="noopener">电影</a>运动代表人物、<a href="https://www.archdaily.com/tag/film" target="_blank" rel="noopener">电影</a>《完美日子》（2023）导演<a href="https://www.archdaily.com/tag/wim-wenders" target="_blank" rel="noopener"> Wim Wenders </a>在被问及他最新作品中引人注目的<a href="https://www.archdaily.com/tag/set" target="_blank" rel="noopener">场景</a>时分享的反思。Wenders选择了<a href="https://www.archdaily.com/tag/tokyo" target="_blank" rel="noopener">东京</a>的<a href="https://www.archdaily.com/tag/restroom" target="_blank" rel="noopener">公共厕所</a>来构建一个关于孤独、简单和日常生活之美的深刻思考。</p>]]>
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        <![CDATA[罗丽兹社会公厕 / pema studio]]>
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      <pubDate>Mon, 30 Dec 2019 10:30:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[公共建筑]]>
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        <![CDATA[<p><em>文字描述由建筑师提供（译者：王冰瑜）<br /></em>研究聚焦在需要紧急干预的公共洗手间上，需要重新定义原先退化的和功能失调的空间。设计基于三个原则：空间的功能，紧俏的预算，和对该地区环境，精神和历史的尊重。</p>]]>
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