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    <title>Tag: feng-jing-yuan-lin | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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        <![CDATA[Studio Gang  为纽约哈德逊谷莎士比亚剧团设计的塞缪尔·H·斯克里普斯戏剧中心建成]]>
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      <link>https://www.archdaily.cn/cn/1041580/studio-gang-wei-niu-yue-ha-de-xun-gu-sha-shi-bi-ya-ju-tuan-she-ji-de-sai-mou-er-star-h-star-si-ke-li-pu-si-xi-ju-zhong-xin-jian-cheng</link>
      <pubDate>Sat, 16 May 2026 14:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>哈德逊谷莎士比亚剧团在<a href="https://www.archdaily.com/tag/new-york/page/1" target="_blank" rel="noopener">纽约</a>加里森揭幕了塞缪尔·H·斯克里普斯<a href="https://www.archdaily.com/tag/theater" target="_blank" rel="noopener">戏剧中心</a>，标志着这一历时六年的项目正式落成，也是<a href="https://www.archdaily.com/1010604/studio-gang-unveils-design-for-a-low-carbon-theater-for-the-hudson-valley-shakespeare-festival-in-the-united-states" target="_blank" rel="noopener">该剧团首个永久驻地</a>。这座全新园区由 <a href="https://www.archdaily.com/office/studio-gang" target="_blank" rel="noopener">Studio Gang 建筑事务所</a>与 <a href="https://www.archdaily.com/office/nelson-byrd-woltz-landscape-architects?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">Nelson Byrd Woltz 景观建筑事务所</a>合作设计，将剧团长期以来的露天演出模式拓展为一座融入哈德逊谷自然景观的永久性文化与教育设施。在历经数年规划与筹款后，<a href="https://www.archdaily.com/1021796/studio-gang-breaks-ground-on-hudson-valley-shakespeare-theater-in-garrison-new-york?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">工程于 2024 年 9 月正式动工</a>。</p>]]>
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      <title>
        <![CDATA[重新思考博物馆：与 Béatrice Grenier 探讨建筑如何作为文化政策]]>
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      <link>https://www.archdaily.cn/cn/1039601/zhong-xin-si-kao-bo-wu-guan-yu-beatrice-grenier-tan-tao-jian-zhu-ru-he-zuo-wei-wen-hua-zheng-ce</link>
      <pubDate>Mon, 27 Apr 2026 17:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1039601/zhong-xin-si-kao-bo-wu-guan-yu-beatrice-grenier-tan-tao-jian-zhu-ru-he-zuo-wei-wen-hua-zheng-ce</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">去年十月，巴黎卡地亚当代艺术基金会的开幕</a>引发了人们对博物馆建筑的角色、形式和未来的新一轮思考。在这个数字化时代，随着文化机构在全球范围内的不断涌现，博物馆本身也亟需被重新定义。建筑史学家兼策展人贝娅特丽丝·格雷尼耶（Béatrice Grenier）在其著作<a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>《文化建筑：重新思考博物馆》（Architecture for Culture: Rethinking Museums）</em></a>中，并未提供单一的模式或解决方案，而是主张对博物馆的本质进行更具语境性和多元化的理解：博物馆应是一个由其环境、公众以及其试图探讨的特定文化问题所塑造的机构。</p>]]>
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        <![CDATA[亡者之城：十项探索丧葬建筑的实践]]>
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      <link>https://www.archdaily.cn/cn/1040628/wang-zhe-zhi-cheng-shi-xiang-tan-suo-sang-zang-jian-zhu-de-shi-jian</link>
      <pubDate>Mon, 27 Apr 2026 13:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>死亡无可回避，但其空间形态从未恒定。每个时代与文化都<a href="https://www.archdaily.com/896651/designing-dead-space-how-architecture-plays-a-role-in-the-afterlife" target="_blank" rel="noopener">为逝者创造了独特的安放方式</a> —— 或近或远、或显或隐、或宏伟如纪念碑或近乎匿名。这些选择始终承载着社会与政治的分量。<a href="https://www.archdaily.com/search/projects/categories/cemetery" target="_blank" rel="noopener">墓地</a>，正是这种分量在空间中具象化的场域：它将信仰与规训转化为边界、路径与姓名。</p>]]>
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        <![CDATA[筑造之路：圣地亚哥朝圣之路上的朝圣之旅与建筑序列]]>
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      <link>https://www.archdaily.cn/cn/1040343/zhu-zao-zhi-lu-sheng-di-ya-ge-zhao-sheng-zhi-lu-shang-de-zhao-sheng-zhi-lu-yu-jian-zhu-xu-lie</link>
      <pubDate>Thu, 09 Apr 2026 09:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>朝圣是人类最古老且最持久的文化习俗之一，<a href="https://www.archdaily.com/1013469/spiritual-journeys-religious-architecture-in-the-global-south?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">是人类跨越地理与宗教界限，探寻生命意义的具象化表达</a>。尽管<a href="https://www.archdaily.com/891984/is-religious-architecture-still-relevant?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">朝圣传统上与正式的信仰体系紧密相连，但近几十年来，其定义已有所拓展，反映出人们对何为神圣、何处可寻生命意义的新认知</a>。这一转变揭示了一个根本性的问题：<a href="https://www.archdaily.com/1021647/infrastructure-and-landscape-12-projects-redefining-natural-environments-in-spain?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">在空间中穿行，始终是人们构建有意义体验的核心方式</a>。然而，如今大多数建筑环境的设计，都是为了让人从公路、交通走廊、机场和优化后的城市中心快速抵达。而圣地亚哥朝圣之路则是对这一现状的持久反驳。它是一种分布式建筑，历经数个世纪精雕细琢，至今仍是围绕移动的人体而组织设计的典范。</p>]]>
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        <![CDATA[SCAPE 与 BIG 建筑事务所公布美国诺沃克前发电厂旧址“曼雷萨荒野（Manresa Wilds）”最终规划方案]]>
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      <link>https://www.archdaily.cn/cn/1039200/scape-yu-big-jian-zhu-shi-wu-suo-gong-bu-mei-guo-nuo-wo-ke-qian-fa-dian-han-jiu-zhi-man-lei-sa-huang-ye-manresa-wilds-zui-zhong-gui-hua-fang-an</link>
      <pubDate>Mon, 02 Mar 2026 15:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/manresa" target="_blank" rel="noopener">曼雷萨</a>岛公司（Manresa Island Corp.）<a href="https://www.archdaily.com/1021894/big-and-scape-reimagine-decommissioned-power-plant-into-a-public-destination-in-connecticut-us?ad_campaign=normal-tag" target="_blank" rel="noopener">公布了“曼雷萨荒野（Manresa Wilds）”的最终规划方案</a>。该公园占地 125 英亩，计划选址于<a href="https://www.archdaily.com/country/united-states/page/1" target="_blank" rel="noopener">美国</a><a href="https://www.archdaily.com/tag/norwalk/page/1" target="_blank" rel="noopener">诺沃克</a>市长岛海湾沿岸一座曾为发电厂的半岛之上。这一规划由<a href="https://www.archdaily.com/tag/landscape-architecture" target="_blank" rel="noopener">景观建筑公司</a> <a href="https://www.archdaily.com/office/scape-landscape-architecture?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">SCAPE</a> 与 <a href="https://www.archdaily.com/office/bjarke-ingels-group?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">BIG</a> <a href="https://www.archdaily.com/tag/architecture-studio" target="_blank" rel="noopener">建筑事务所</a>合作设计，旨在将一片污染严重、长期无法进入的工业海岸线，<a href="https://www.archdaily.com/tag/transformation" target="_blank" rel="noopener">转变</a>为可供公众使用的滨海景观。2025 年 12 月，在获得<a href="https://www.archdaily.com/tag/connecticut/page/1" target="_blank" rel="noopener">康涅狄格州</a>能源与环境保护部颁发的管理许可后，该项目将分阶段推进，首期工程是于 2027 年春季开放占地 28 英亩的北部森林区域。后续阶段将持续至 21 世纪 30 年代初，届时将完成大部分景观修复工作，并将 20 世纪 60 年代的发电厂进行<a href="https://www.archdaily.com/tag/adaptive-reuse" target="_blank" rel="noopener">适应性再利用</a>，打造成为全年开放的市民与教育中心，同时开放近两英里长、数十年来一直对公众关闭的海岸线。</p>]]>
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        <![CDATA[健康、栖息地与公共基础设施：以国家公园理念设计城市]]>
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      <link>https://www.archdaily.cn/cn/1038643/jian-kang-qi-xi-di-yu-gong-gong-ji-chu-she-shi-yi-guo-jia-gong-yuan-li-nian-she-ji-cheng-shi</link>
      <pubDate>Sat, 14 Feb 2026 11:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>全球城市共享同一愿景：<a href="https://www.archdaily.com/1035616/the-future-of-cities-how-can-we-build-differently-to-promote-resilient-and-low-impact-environments?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">依托修复生态系统、强化公共生活的公共基础设施，打造更健康、更绿色的城市</a>。然而，如何实现这一目标仍是关键挑战。全球气候目标、地方建筑规范与市政标准正日益引导设计师与规划者做出更优选择，但许多城市仍难以将这些框架转化为日常街道层面的宜居体验与长期<a href="https://www.archdaily.com/tag/ecological?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">生态保护</a>。若将城市不再视为传统意义上的城市，而是当作一座国家公园，又会发生什么？</p>]]>
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        <![CDATA[3XN设计的悉尼鱼市场将成为布莱克沃特湾首个竣工项目并投入使用]]>
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      <link>https://www.archdaily.cn/cn/1037736/3xnshe-ji-de-xi-ni-yu-shi-chang-jiang-cheng-wei-bu-lai-ke-wo-te-wan-shou-ge-jun-gong-xiang-mu-bing-tou-ru-shi-yong</link>
      <pubDate>Thu, 15 Jan 2026 15:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1037736/3xnshe-ji-de-xi-ni-yu-shi-chang-jiang-cheng-wei-bu-lai-ke-wo-te-wan-shou-ge-jun-gong-xiang-mu-bing-tou-ru-shi-yong</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/942111/final-approval-granted-for-the-new-sydney-fish-market-designed-by-3xn?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">悉尼鱼市场</a>定于 <a href="https://www.infrastructure.nsw.gov.au/projects-nsw/completed/new-sydney-fish-market/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">2026 年 1 月 19 日</a>开业，是<a href="https://www.archdaily.com/tag/sydney/page/1" target="_blank" rel="noopener">悉尼</a>内港布莱克沃特湾整体更新计划中的首个竣工项目。该专用设施由 <a href="https://www.archdaily.com/office/3xn?ad_source=search&amp;ad_medium=search_result_professionals">3XN</a> 与 <a href="https://www.archdaily.com/office/bvn?ad_source=search&amp;ad_medium=search_result_professionals">BVN</a> 和 <a href="https://www.archdaily.com/office/aspect-studios/page/1">Aspect Studios</a> 合作设计，<a href="https://www.archdaily.com/professional/multiplex?ad_source=search&amp;ad_medium=search_result_professionals">Multiplex</a> 负责交付，它取代了原有市场，以现代建筑形式融合了运营中的批发鱼市场、零售、餐饮及可公共进入的<a href="https://www.archdaily.com/tag/waterfront" target="_blank" rel="noopener">海滨空间</a>。该项目位于悉尼中央商务区西南约一英里处，重新定义了这一全球规模最大的鱼市场之一，使其兼具工作基础设施和市民目的地的双重属性。</p>]]>
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        <![CDATA[向大师们告别：缅怀2025年逝去的建筑师们]]>
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      <link>https://www.archdaily.cn/cn/1036995/xiang-da-shi-men-gao-bie-mian-huai-2025nian-shi-qu-de-jian-zhu-shi-men</link>
      <pubDate>Wed, 31 Dec 2025 09:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1036995/xiang-da-shi-men-gao-bie-mian-huai-2025nian-shi-qu-de-jian-zhu-shi-men</guid>
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        <![CDATA[<p class="p1">每年都会涌现出新的理念、项目和建筑文化的变革，但同时也伴随着那些塑造了数十年建筑学科的先驱人物的离世。建筑在不断向前发展，但也在逝去中不断进步。当那些阐明建筑语言和抱负的人物离世时，他们留下的不仅仅是已完成的作品或具有影响力的著作。他们的离去构成了一个门槛，一个建筑学科停下来思考的时刻，让我们得以审视哪些东西得以保留，哪些东西正在演变，以及哪些东西将继续指引我们。这些逝去的时刻提醒我们，建筑是一个漫长的集体建构过程，它不仅由那些塑造当下的人所承载，也由那些其远见卓识持续影响我们对城市和景观思考的人所承载。</p>]]>
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        <![CDATA[2025 ArchDaily 年度最佳建筑]]>
      </title>
      <link>https://www.archdaily.cn/cn/1036943/2025nian-du-archdailyzui-jia-jian-zhu-xiang-mu</link>
      <pubDate>Wed, 17 Dec 2025 11:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[可持续发展]]>
      </category>
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        <![CDATA[<p>岁末之际，ArchDaily 策展团队再度回首 2025 年表现最为突出的项目，思索读者最为关注的内容。通过这一多元化的概览，我们评估了<a href="https://www.archdaily.com/1026829/extending-roofs-from-brazil-to-india-parallel-residential-design-elements-as-seen-in-10-projects?ad_medium=gallery" target="_blank" rel="noopener">各大洲在建筑趋势与建设发展方面</a>的异同。今年，丽娜·古特梅（<a href="https://www.archdaily.com/1034567/lina-ghotmeh-on-memory-museums-and-the-archaeology-of-the-future" target="_blank" rel="noopener">Lina Ghotmeh</a>）、BIG 建筑事务所、扎哈·哈迪德建筑事务所（Zaha Hadid Architects）、DnA 建筑事务所和 Serie 建筑事务所等，为我们呈现了众多大型文化与公共空间项目，这些项目亮相于大阪世博会、威尼斯双年展等盛会，同时，中国及亚洲其他地区也涌现出数量可观的博物馆及公共或景观作品。</p>]]>
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        <![CDATA[民宿与慷慨之道：美国乡村的待客空间]]>
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      <link>https://www.archdaily.cn/cn/1035344/min-su-yu-kang-kai-zhi-dao-mei-guo-xiang-cun-de-dai-ke-kong-jian</link>
      <pubDate>Sun, 26 Oct 2025 11:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p data-start="381" data-end="717"><a href="https://www.archdaily.com/tag/hospitality?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">待客空间</a>如同一面镜子，映照出不同<a href="https://www.archdaily.com/tag/cultural-heritage?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">文化</a>如何诠释慷慨、关怀、归属感与身份认同。在繁忙的城市环境中，这种文化特质体现在<a href="https://www.archdaily.com/1027493/reimagine-hospitality-in-venice-monaco-smart-and-sustainable-marina-rendezvous-2025" target="_blank" rel="noopener">酒店、服务体系以及精心设计的设施</a>上，它们直接塑造着访客的体验。这些空间将关怀转化为可衡量的形式，其成功与否与效率、奢华程度及品牌特色紧密相连。</p>]]>
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        <![CDATA[“海绵城市”概念提出者俞孔坚于巴西空难中不幸离世]]>
      </title>
      <link>https://www.archdaily.cn/cn/1034484/hai-mian-cheng-shi-gai-nian-ti-chu-zhe-yu-kong-jian-yu-ba-xi-kong-nan-zhong-bu-xing-chi-shi</link>
      <pubDate>Mon, 29 Sep 2025 15:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>被誉为<a href="https://www.archdaily.cn/cn/1017938/cheng-shi-jing-guan-zuo-wei-sheng-cun-de-yi-zhu-hai-mian-cheng-shi-li-nian-chang-dao-zhe-yu-kong-jian-zhuan-fang" target="_blank" rel="noopener">“海绵城市”概念提出者</a>的中国先锋景观建筑师与城市规划师<a href="https://www.archdaily.com/tag/kongjian-yu" target="_blank" rel="noopener">俞孔坚</a>辞世，享年 62 岁。据<a href="https://www.reuters.com/world/china/chinese-architect-kongjian-yu-dies-plane-crash-brazil-local-media-reports-2025-09-24/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">路透社</a>报道，上周，俞孔坚刚刚亮相<a href="https://www.archdaily.com/1029434/14th-sao-paulo-architecture-biennial-highlights-architectural-responses-to-the-climate-crisis" target="_blank" rel="noopener">圣保罗国际建筑双年展</a>的开幕活动，而本周二，他在巴西南马托格罗索州湿地拍摄一部关于自己作品的纪录片时，不幸遭遇空难身亡。</p>]]>
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        <![CDATA[重新审视现代主义：回溯该运动与可持续性之间错综复杂的关系]]>
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      <link>https://www.archdaily.cn/cn/1034219/zhong-xin-shen-shi-xian-dai-zhu-yi-hui-su-gai-yun-dong-yu-ke-chi-xu-xing-zhi-jian-cuo-zong-fu-za-de-guan-xi</link>
      <pubDate>Sat, 27 Sep 2025 12:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>20 世纪初，<a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">现代主义</a>作为一场<a href="https://www.archdaily.com/769340/ad-essentials-modernism" target="_blank" rel="noopener">革命性运动</a>应运而生，它摒弃了历史风格，将功能性、创新性和理性置于首位。基于工业进步的承诺，沃尔特·格罗皮乌斯（<a href="https://www.archdaily.com/office/walter-gropius">Walter Gropius</a>）、勒·柯布西耶（<a href="https://www.archdaily.com/office/le-corbusier">Le Corbusier</a>）和路德维希·密斯·凡·德·罗（<a href="https://www.archdaily.com/tag/mies-van-der-rohe">Ludwig Mies van der Rohe</a>）等建筑师倡导使用新材料和新的建造方法，力求创造一种普适的建筑语言。他们的作品引入了激进的理念：<a href="https://www.archdaily.com/tag/open-plan" target="_blank" rel="noopener">开放式平面布局</a>、为引入<a href="https://www.archdaily.com/tag/natural-light" target="_blank" rel="noopener">自然光</a>而设置的大面积玻璃幕墙，以及将建筑抬升的“独立支柱”（<a href="https://www.archdaily.com/tag/pilotis" target="_blank" rel="noopener">pilotis</a>），这些都象征着一个新的建筑时代的到来。然而，尽管现代主义提出了诸多开创性理念，但其与<a href="https://www.archdaily.com/tag/sustainable-architecture" target="_blank" rel="noopener">可持续性</a>之间的关系却引发了持续不断的争论。</p>]]>
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        <![CDATA[伦佐·皮亚诺工作室公布希腊 “KYKLOS 文化中心” 设计方案]]>
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      <link>https://www.archdaily.cn/cn/1033727/lun-zuo-star-pi-ya-nuo-gong-zuo-shi-gong-bu-xi-la-kyklos-wen-hua-zhong-xin-she-ji-fang-an</link>
      <pubDate>Fri, 05 Sep 2025 09:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="275" data-end="1030"><a href="https://www.archdaily.com/office/renzo-piano-building-workshop" target="_blank" rel="noopener">伦佐·皮亚诺建筑工作室（RPBW）</a>携手贝塔普兰建筑事务所（Betaplan Architects，位于雅典）和景观设计师卡米尔·穆勒（Camille Muller，来自巴黎），公布了雅典港口比雷埃夫斯一座在建新文化中心的首批效果图。该项目受迪诺斯与莉亚·马蒂诺斯基金会（Dinos and Lia Martinos Foundation，简称DLMF）委托，旨在打造一座与国际同类艺术中心接轨的国际枢纽，向当地社区、学生和游客开放，并为<a href="https://www.archdaily.com/city/athens" target="_blank" rel="noopener">雅典</a>大都市区的城市与文化格局增添光彩。这座名为<a href="https://kyklosartscentre.org?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">“基克洛斯（KYKLOS）”</a>的综合体计划展出具有国际视野的当代艺术藏品，并举办相关文化活动。项目于2023年启动，目前正在开发中，预计建设将持续至2028年第四季度。</p>]]>
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        <![CDATA[Snøhetta + Hassell ，悉尼海滨重建项目获公共领域审批]]>
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      <link>https://www.archdaily.cn/cn/1031948/snohetta-yu-hassell-xi-shou-tui-jin-de-xi-ni-hai-bin-zhong-jian-xiang-mu-huo-gong-gong-ling-yu-shen-pi-xiang-mu-jiang-ji-xu-tui-jin</link>
      <pubDate>Tue, 15 Jul 2025 11:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>新南威尔士州独立规划委员会已批准<a href="https://www.archdaily.com/tag/sydney/page/1" target="_blank" rel="noopener">悉尼</a>海滨<a href="https://www.archdaily.com/tag/redevelopment/page/1" target="_blank" rel="noopener">重建</a>项目的公共区域工程，这对于由 <a href="https://www.archdaily.com/office/snohetta">Snøhetta</a> 携手 <a href="https://www.archdaily.com/office/hassell/page/1">Hassell</a> 及 Mirvac 共同设计的该项目而言，是一个重大里程碑。该方案于 2021 年 12 月首次公布，在国际设计<a href="https://www.archdaily.com/tag/competition" target="_blank" rel="noopener">竞赛</a>中脱颖而出、拔得头筹，旨在将达令港（Darling Harbour）的海滨区域打造成位于城市中心的一处全新标志性地标。该提案对通巴隆（Tumbalong）/达令港的海滨区域进行了重新规划，将打造超过 11200 平方米的焕然一新的<a href="https://www.archdaily.com/tag/public-space" target="_blank" rel="noopener">公共空间</a>，其中将种植高大树木、布置绿化区域、铺设雕塑般的砂岩步道，并融入公共艺术作品。</p>]]>
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        <![CDATA[新吉卜力公园：适应性再利用方法，重新定义主题公园]]>
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      <link>https://www.archdaily.cn/cn/1031889/ri-ben-de-xin-ji-bu-li-gong-yuan-tong-guo-gua-ying-xing-zai-li-yong-zhong-xin-ding-yi-zhu-ti-gong-yuan</link>
      <pubDate>Thu, 10 Jul 2025 13:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>凭借令人瞩目的作品，包括十多部故事片、两座奥斯卡奖以及全球逾百个奖项，<a href="https://www.ghibli-museum.jp/en/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">吉卜力工作室</a>及其联合创始人宫崎骏在西方家喻户晓。《千与千寻》和《哈尔的移动城堡》等影片展现了他们构建<a href="https://www.archdaily.cn/cn/979975/dong-hua-zhong-de-jian-zhu-tan-suo-gong-qi-jun-de-xu-gou-shi-jie" target="_blank" rel="noopener">奇幻世界</a>、讲述动人故事以及打造引人入胜视觉效果的高超技艺，赢得了全球赞誉。这造就了一群忠实粉丝，而此前他们只能在<a href="https://www.archdaily.com/tag/tokyo" target="_blank" rel="noopener">东京</a>的吉卜力美术馆亲身体验这些影片的魅力。随着工作室的知名度和电影作品不断增加，他们拓展更大空间已成必然。正因如此，2022 年 11 月，<a href="https://www.archdaily.cn/cn/893859/gong-qi-jun-dian-ying-chang-jing-jiang-bian-xian-shi-ji-bu-li-zhu-ti-gong-yuan-jiang-yu-2022nian-jian-cheng" target="_blank" rel="noopener">吉卜力公园在日本名古屋开园，标志着一个新阶段的开始。</a></p>]]>
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        <![CDATA[BIG“打碎”城市地表，赢得哥本哈根 “The Impact” 竞赛]]>
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      <link>https://www.archdaily.cn/cn/1031851/big-ying-de-jing-sai-jiang-dan-mai-ge-ben-ha-gen-de-san-ge-cheng-shi-yan-chang-gai-zao-wei-xiang-hu-lian-tong-de-cheng-shi-wu-tai</link>
      <pubDate>Tue, 08 Jul 2025 17:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG</a> 携其名为 “The Impact” 的颠覆性公共空间项目重返该地区。该团队与美国艺术家 Doug Aitken 工作室以及合作伙伴 NIRAS、Volcano 和 RWDI 携手合作，更新 DR 音乐厅、贝拉竞技场和皇家竞技场周围的三大广场。“The Impact” 将超过 5 万平方米的场地整合成一个相互连通的景观，用充满活力的地形取代了该区域的铺砌空隙，旨在支持日常生活、自发性娱乐和大型表演。</p>]]>
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        <![CDATA[如何重新激活城市现有基础设施？]]>
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      <link>https://www.archdaily.cn/cn/1024190/gai-zao-cheng-shi-kong-jian-ru-he-zhong-xin-zheng-he-da-xing-ji-chu-she-shi-xiang-mu</link>
      <pubDate>Sat, 28 Dec 2024 16:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>大型基础设施项目通常旨在<a href="https://www.archdaily.com/1018201/foster-plus-partners-and-arup-reveal-design-for-california-high-speed-rails-first-stations" target="_blank" rel="noopener">连接城市区域内的远距离地点</a>，促进更快捷的交通运输、物流和沿线商业活动。然而，<a href="https://www.archdaily.com/1017490/zaha-hadid-architects-to-design-transport-hub-linking-tallinn-with-european-high-speed-rail-network?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">这些项目在连接遥远目的地的同时，其庞大的物理存在往往对当地社区产生深远影响</a>。这可能导致原本相连的街区被割裂、公共空间被破坏，并因噪音污染、空气质量下降以及基础设施维护不足等问题，使户外体验普遍受到负面影响。</p>]]>
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        <![CDATA[都市绿洲，韩国清溪川河道重塑 / Mikyoung Kim]]>
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      <link>https://www.archdaily.cn/cn/1022587/du-shi-lu-zhou-han-guo-qing-xi-chuan-he-dao-zhong-su-mikyoung-kim</link>
      <pubDate>Thu, 31 Oct 2024 17:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>清溪川（韩语中称为清溪川）自东向西穿过首尔市中心，流经<a href="https://www.archdaily.com/tag/korea" target="_blank" rel="noopener">韩国</a><a href="https://www.archdaily.com/tag/seoul" target="_blank" rel="noopener">首都</a>四个区的 13 个街区。这条溪流在历史上扮演了不同的角色，直到 20 世纪 70 年代被一条高架公路覆盖。30 多年来，这条自然动脉一直隐藏于地下。直到 2003 年，市政府才启动了一项恢复项目，<a href="https://www.archdaily.com/1011939/water-in-public-spaces-15-urban-projects-that-incorporate-water-resources-in-their-designs?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">旨在将这条城市河道重新融入城市肌理</a>，振兴当地经济，并复兴该地区的历史和文化。此次复兴工作由<a href="https://www.archdaily.com/office/mikyoung-kim-design?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">金米京设计公司</a>主导。自 2005 年项目完成以来，它迅速成为首尔最受欢迎的旅游景点之一。此外，它已成为众多城市研究的焦点，许多研究都对其对首尔城市、经济和生态背景的影响给予了积极评价。</p>]]>
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