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    <title>Tag: fang-zhi-wu | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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        <![CDATA[2025 年威尼斯建筑双年展：塞尔维亚羊毛装置]]>
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      <link>https://www.archdaily.cn/cn/1032421/2025-nian-wei-ni-si-jian-zhu-shuang-nian-zhan-sai-er-wei-ya-yang-mao-zhuang-zhi-tan-suo-xun-huan-she-ji-li-nian</link>
      <pubDate>Mon, 28 Jul 2025 15:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="187" data-end="935">在<a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">第 19 届威尼斯建筑双年展</a>上，<a href="https://www.archdaily.com/tag/serbian-pavilion" target="_blank" rel="noopener">塞尔维亚馆</a>展出了一件由羊毛打造的<a href="https://www.archdaily.com/tag/immersive" target="_blank" rel="noopener">沉浸式装置作品</a>。这场名为“解构：新空间（Unraveling: New Spaces）”的展览由建筑师 <a href="/cn/tag/slobodan-jovic">Slobodan Jović</a> 策展，并由一个跨学科团队设计完成，团队成员包括 Davor Ereš、Jelena Mitrović、Igor Pantić、Sonja Krstić、Ivana Najdanović 和 Petar Laušević。塞尔维亚馆位于双年展主展区<a href="https://www.archdaily.com/tag/giardini" target="_blank" rel="noopener">贾尔迪尼花园（Giardini）</a>内，其内部空间被一件<a href="https://www.archdaily.com/tag/circular-design" target="_blank" rel="noopener">遵循循环设计原则</a>的临时装置占据，该装置在制作过程中实现了<a href="https://www.archdaily.com/tag/zero-waste" target="_blank" rel="noopener">零废弃</a>。这件装置由一大块编织羊毛织物构成，它会按照算法精准控制的引导动作逐步解构，在<a href="https://www.archdaily.com/tag/venice-biennale" target="_blank" rel="noopener">双年展</a>闭幕时完全拆解。</p>]]>
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      <title>
        <![CDATA[Ernesto Neto 在巴黎大皇宫，纺织空间]]>
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      <link>https://www.archdaily.cn/cn/1032310/tou-guo-she-ying-shi-paul-clemence-de-jing-tou-liao-jie-ernesto-neto-yu-ba-li-da-huang-gong-zhan-chu-de-fang-zhi-yi-zhu-zhuang-zhi-zuo-pin</link>
      <pubDate>Wed, 23 Jul 2025 13:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="136" data-end="713">巴西艺术家埃尔内斯托·内托（<a href="https://www.archdaily.com/tag/ernesto-neto" target="_blank" rel="noopener">Ernesto Neto</a>）的展览“我们的鼓舟大地”（“Nosso Barco Tambor Terra”）于 2025 年 6 月 6 日至 7 月 25 日<a href="https://www.archdaily.cn/cn/1019882/ba-li-da-huang-gong-fan-xiu-chatillon-architectes" target="_blank" rel="noopener">在巴黎刚完成翻新的大皇宫（Grand Palais）</a>举办。这是一场<a href="https://www.archdaily.com/tag/immersive" target="_blank" rel="noopener">大型沉浸式装置艺术展</a>，邀请参观者通过感官体验，重新与自然和社群建立联结。内托从巴西文化与<a href="https://www.archdaily.com/tag/indigenous" target="_blank" rel="noopener">原住民文化</a>中汲取灵感，运用织物、香氛和有机材料打造出一个供人沉思与互动的空间。摄影师保罗·克莱门斯（<a href="https://www.archdaily.com/photographer/paul-clemence" target="_blank" rel="noopener">Paul Clemence</a>）最近拍摄了这件织物装置作品，试图展现其建筑特质。</p>]]>
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      <title>
        <![CDATA[建筑中半透明材料有哪些？]]>
      </title>
      <link>https://www.archdaily.cn/cn/1013864/jian-zhu-zhong-ban-tou-ming-cai-liao-de-ying-yong-duo-ceng-ci-de-shi-jie</link>
      <pubDate>Thu, 23 Jan 2025 17:00:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>从本质上讲，半透明是一种光学特性，它能让光线全部或部分穿过材料，而不会让人清楚地看到材料背后的物体。尽管表面上看似简单，但这一特性在建筑领域却有着引人入胜的应用，它能产生极具吸引力和震撼力的方案，在不妨碍视线的情况下与光线相映成趣。</p>]]>
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        <![CDATA[充气建筑：气动结构改变建筑环境]]>
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      <link>https://www.archdaily.cn/cn/1016598/chong-qi-jian-zhu-qi-dong-jie-gou-gai-bian-jian-zhu-huan-jing</link>
      <pubDate>Wed, 22 May 2024 15:00:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>随着社会、技术和建筑的发展，建筑设计师们采用了新颖的建筑系统和创新方法来重塑建筑环境。这种进步扩展了传统建筑技术的界限，并在建筑设计中激发新的想法。</p>]]>
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      <title>
        <![CDATA[室内设计中织物材料，驱虫、隔音和防火]]>
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      <link>https://www.archdaily.cn/cn/998940/shi-nei-she-ji-zhong-shi-yong-de-fang-wei-xian-zhi-wu-qu-chong-ge-yin-he-fang-huo</link>
      <pubDate>Tue, 11 Apr 2023 12:00:00 +0000</pubDate>
      <dc:creator>Camila Prieto</dc:creator>
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        <![CDATA[<p>除了在时尚界的特点外，<a href="https://www.archdaily.cn/search/cn/all?q=%E9%9D%A2%E6%96%99&amp;ad_source=jv-header">面料</a>也可以成为室内设计<a href="https://www.archdaily.com/975199/fabrics-in-interiors-creative-possibilities-as-architectural-elements">创意可能性</a>的重要组成部分。在增强空间美学吸引力的同时，这些多功能材料由交织、针织或粘合在一起的纤维或纱线制成的，同时也为空间提供了功能性。作为整体建筑策略的一部分，这些自然和合成元素对于设计家具、窗帘和窗帘、空间划分和墙面覆盖物的内饰是必不可少的。改变织物的传统概念-被称为污渍收集器，虫子之家和容易着火-最新的创新设计正在探索让织物的使用更进一步的特性。深入研究 Architonic 的<a href="https://www.architonic.com/en/products/fabrics/0/3221654/1?utm_medium=website&amp;utm_source=ArchDaily" target="_blank">面料目录</a>，我们来看看不同的产品，它们所具有独特的声学、防火和驱蚊性能。</p>]]>
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        <![CDATA[Christian Kerez 公布‘瑞士圣加仑红宫改造’中标方案]]>
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      <link>https://www.archdaily.cn/cn/995633/christian-kerez-gong-bu-rui-shi-sheng-jia-lun-hong-gong-gai-zao-de-zhong-biao-fang-an</link>
      <pubDate>Tue, 31 Jan 2023 12:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.cn/cn/office/christian-kerez?ad_name=project-specs&amp;ad_medium=single">Christian Kerez </a>被宣布为<a href="https://www.archdaily.cn/search/cn/projects/country/rui-shi?ad_medium=filters">瑞士</a>东部圣加仑红宫改造项目的获胜者，这里是圣加仑纺织<a href="https://www.archdaily.cn/search/cn/all?q=%E5%8D%9A%E7%89%A9%E9%A6%86&amp;ad_source=search&amp;ad_medium=all_tab">博物馆</a>所在地。该项目名为“Das Schwere ist des Leichten Wurzelgrund”或“The Heavy Is the Root of the Light”，旨在响应提升红宫形象并提高其知名度和吸引力的目标。根据纺织<a href="https://www.archdaily.cn/search/cn/all?q=%E5%8D%9A%E7%89%A9%E9%A6%86&amp;ad_source=search&amp;ad_medium=all_tab">博物馆</a>基金会就可行性和资金问题的指示，该提案目前正在进一步深化中。</p>]]>
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      <title>
        <![CDATA[纺织手法与建筑生成相结合，寻找新的建造方式]]>
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      <link>https://www.archdaily.cn/cn/978730/fang-zhi-shou-fa-yu-jian-zhu-sheng-cheng-xiang-jie-he-xun-zhao-xin-de-jian-zao-fang-shi</link>
      <pubDate>Tue, 22 Mar 2022 14:30:00 +0000</pubDate>
      <dc:creator>Sophie Aliece Hollis</dc:creator>
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        <![CDATA[<p><a href="https://www.tszyanng.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Tsz Yan Ng</a> 是密歇根州的一位公司负责人、教授、学者和艺术家，她所从事的跨学科协同工作旨在挑战并改善现代制造业以及制造实践。“我们已经很久没有改变建造方式了，” Ng 说道，“我们需要让建造的效果更好，而非只是省钱，多吸收不同领域的灵感。建筑学是一个由人组成的全球生态系统，整体应该大于部分之和。”</p>]]>
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      <title>
        <![CDATA[如何使用半透明织物材料？]]>
      </title>
      <link>https://www.archdaily.cn/cn/957739/bai-se-fen-wei-ying-zao-ru-he-shi-yong-zhi-wu-ge-duan-chuang-jian-an-jing-de-kong-jian</link>
      <pubDate>Wed, 03 Mar 2021 14:30:00 +0000</pubDate>
      <dc:creator>Lilly Cao</dc:creator>
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        <![CDATA[<p>在高度现代主义的鼎盛时期，勒&middot;柯布西耶和密斯&middot;凡&middot;德&middot;罗等建筑师夸大了白色的美学价值，他们认为白色代表着纯粹和朴素。例如，密斯&middot;凡&middot;德&middot;罗的范斯沃斯住宅，将其结构骨架的精简白色与宽敞的落地窗配对，利用包络的自然光进一步提升了该空间已然天堂般的渴望。如今，一些当代建筑师和设计师已经通过使用半透明的织物隔断来发展白色高级现代建筑的崇高美学，从而补充了白色的纯度墙壁与织物空灵的光影交织。下面，我们讨论以这种方式使用白色织物的不同设计策略，并包含了两个以柔和且创新的方式使用半透明织物的项目示例。</p>
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        <![CDATA[MVRDV在忠泰建筑文化艺术基金会加设“吸声壁毯”，苔藓植物色让报告厅会‘呼吸’]]>
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      <link>https://www.archdaily.cn/cn/884038/mvrdvzai-zhong-tai-jian-zhu-wen-hua-yi-zhu-ji-jin-hui-jia-she-xi-sheng-bi-tan-tai-xian-zhi-wu-se-rang-bao-gao-ting-hui-hu-xi</link>
      <pubDate>Thu, 23 Nov 2017 10:00:00 +0000</pubDate>
      <dc:creator>Samantha Buckley</dc:creator>
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        <![CDATA[<p dir="ltr"><font style="box-sizing: border-box;">位于台北的忠泰建筑文化艺术基金会（</font><a style="box-sizing: border-box; background-color: transparent; color: #3da8f5; cursor: pointer; text-decoration: none; word-break: break-word; font-family: 'Helvetica Neue', 'PingFang SC', 'Microsoft Yahei', '\\5FAE软雅黑', STXihei, '\\534E文细黑', sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-position: initial initial; background-repeat: initial initial;" href="http://www.jutfoundation.org.tw/en/about?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><u style="box-sizing: border-box; text-decoration: underline;">JUT Foundation</u></a><font style="box-sizing: border-box;">）改造了它的报告厅，由</font>MVRDV<font style="box-sizing: border-box;"> 主刀设计，将</font><font style="box-sizing: border-box;">240</font><font style="box-sizing: border-box;">平方米的报告厅四壁覆上充满艺术效果的苔藓织物“地毯”，这块毛毯不是从一角到另一角，而是覆盖整个墙面。整个壁毯由阿根廷艺术家</font> <a style="box-sizing: border-box; background-color: transparent; color: #3da8f5; cursor: pointer; text-decoration: none; word-break: break-word; font-family: 'Helvetica Neue', 'PingFang SC', 'Microsoft Yahei', '\\5FAE软雅黑', STXihei, '\\534E文细黑', sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-position: initial initial; background-repeat: initial initial;" href="http://alexkeha.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><u style="box-sizing: border-box; text-decoration: underline;">Alexandra Kehayoglou</u></a> <font style="box-sizing: border-box;">设计完成。报告厅要求满足多功能性，毕竟它承包了大量讲座和活动。这个特殊定制的苔藓地毯增加了一定的舒适感，并让一些原本可能会变得单调乏味的空间变得有趣奇幻。</font></p>]]>
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