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    <title>Tag: bo-wu-guan | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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        <![CDATA[重新思考博物馆：与 Béatrice Grenier 探讨建筑如何作为文化政策]]>
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      <link>https://www.archdaily.cn/cn/1039601/zhong-xin-si-kao-bo-wu-guan-yu-beatrice-grenier-tan-tao-jian-zhu-ru-he-zuo-wei-wen-hua-zheng-ce</link>
      <pubDate>Mon, 27 Apr 2026 17:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/1039601/zhong-xin-si-kao-bo-wu-guan-yu-beatrice-grenier-tan-tao-jian-zhu-ru-he-zuo-wei-wen-hua-zheng-ce</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1035188/fondation-cartier-reopens-in-jean-nouvel-designed-paris-building-with-exhibition-by-formafantasma" target="_blank" rel="noopener">去年十月，巴黎卡地亚当代艺术基金会的开幕</a>引发了人们对博物馆建筑的角色、形式和未来的新一轮思考。在这个数字化时代，随着文化机构在全球范围内的不断涌现，博物馆本身也亟需被重新定义。建筑史学家兼策展人贝娅特丽丝·格雷尼耶（Béatrice Grenier）在其著作<a href="https://www.rizzoliusa.com/book/9780847845712/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>《文化建筑：重新思考博物馆》（Architecture for Culture: Rethinking Museums）</em></a>中，并未提供单一的模式或解决方案，而是主张对博物馆的本质进行更具语境性和多元化的理解：博物馆应是一个由其环境、公众以及其试图探讨的特定文化问题所塑造的机构。</p>]]>
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      <title>
        <![CDATA[V&A 东馆伦敦东区文化区开幕！]]>
      </title>
      <link>https://www.archdaily.cn/cn/1040789/odonnell-plus-tuomey-she-ji-de-v-and-a-dong-guan-jiang-yu-lun-dun-dong-qu-wen-hua-qu-sheng-da-kai-mu</link>
      <pubDate>Wed, 22 Apr 2026 13:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>由 <a href="https://www.archdaily.com/office/o-donnell-tuomey-architects" target="_blank" rel="noopener">O'Donnell + Tuomey</a> 建筑事务所设计的 <a href="https://www.archdaily.com/tag/v-and-a-museum" target="_blank" rel="noopener">V&amp;A 东馆</a>将于 2026 年 4 月 18 日向公众开放。该事务所<a href="https://www.archdaily.cn/cn/905190/lun-dun-v-and-a-bo-wu-guan-dong-guan-zui-xin-xiao-guo-tu-gong-bu-bo-wu-guan-he-yan-jiu-zhong-xin-gong-tong-gou-jian-wen-hua-zong-he-ti" target="_blank" rel="noopener">于 2015 年受托</a>设计这座新建筑，它坐落于伊丽莎白女王奥林匹克公园内，毗邻近期开放的姐妹设施 —— <a href="https://www.archdaily.cn/cn/1030780/diller-scofidio-plus-renfro-wan-cheng-wei-duo-li-ya-yu-ai-er-bo-te-bo-wu-guan-v-and-a-dong-qu-cang-chu-kong-jian" target="_blank" rel="noopener">由 Diller Scofidio + Renfro 设计的 V&amp;A 东仓储</a>馆。V&amp;A 东馆位于英国伦敦东区，这是由伦敦市长支持打造的英国最新文化区。该双馆建筑群旨在“聚焦全球艺术家、设计师和创作者以创造力塑造世界的多种方式”。博物馆致力于创意机遇及其推动变革的力量，其五层公共空间包括两个常设展厅、一个 900 平方米的临时展厅、顶层项目与活动空间、学习设施以及一家咖啡馆。</p>]]>
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      <title>
        <![CDATA[全球当前正在推进的 14 个重大博物馆项目]]>
      </title>
      <link>https://www.archdaily.cn/cn/1040282/quan-qiu-dang-qian-zheng-zai-tui-jin-de-14-ge-zhong-da-bo-wu-guan-xiang-mu</link>
      <pubDate>Wed, 08 Apr 2026 09:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>2025 年全年及 2026 年初，多个地区纷纷宣布、推进或动工了众多<a href="https://www.archdaily.com/tag/museum/page/1" target="_blank" rel="noopener">博物馆</a>项目，这些项目的竣工时间大多集中在 2026 年至 2030 年。这些项目分布于<a href="https://www.archdaily.com/tag/asia" target="_blank" rel="noopener">亚洲</a>、<a href="https://www.archdaily.com/tag/europe/page/1" target="_blank" rel="noopener">欧洲</a>、<a href="https://www.archdaily.com/tag/north-america/page/1" target="_blank" rel="noopener">北美洲</a>及<a href="https://www.archdaily.com/tag/central-asia/page/1" target="_blank" rel="noopener">中亚</a>各地，彰显了<a href="https://www.archdaily.com/tag/cultural-architecture" target="_blank" rel="noopener">文化机构</a>在当代城市中角色持续转变的趋势。如今，博物馆的设计理念已不仅局限于<a href="https://www.archdaily.com/tag/exhibition" target="_blank" rel="noopener">展览</a>空间，更被视为面向公众的环境，需兼顾教育、研究及市民参与等多重功能。这种功能范围的拓展，往往伴随着建筑策略的调整，以适应城市环境、保持空间连贯性，并将文化基础设施融入更广泛的城市建设进程。</p>]]>
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        <![CDATA[论坛、仓储库、迷宫：迈向博物馆的多元生态体系]]>
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      <link>https://www.archdaily.cn/cn/1039731/lun-tan-cang-chu-ku-mi-gong-mai-xiang-bo-wu-guan-de-duo-yuan-sheng-tai-ti-xi</link>
      <pubDate>Fri, 27 Mar 2026 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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      <description>
        <![CDATA[<p><em>本文是我们新开设的 “<a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener">观点</a>”专栏的一部分，该专栏旨在发表针对塑造我们领域的关键问题所撰写的、以论点为导向的文章。</em></p>]]>
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        <![CDATA[Sordo Madaleno + építész stúdió 中！匈牙利德布勒森新自然历史藏品中心]]>
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      <link>https://www.archdaily.cn/cn/1039475/sordo-madaleno-jian-zhu-shi-wu-suo-yu-epitesz-studio-jian-zhu-gong-zuo-shi-huo-xuan-she-ji-xiong-ya-li-de-bu-le-sen-xin-zi-ran-li-shi-cang-pin-zhong-xin</link>
      <pubDate>Wed, 11 Mar 2026 17:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/sordo-madaleno-arquitectos" target="_blank" rel="noopener">Sordo Madaleno</a> 建筑事务所携手 <a href="https://www.archdaily.com/office/epitesz-studio" target="_blank" rel="noopener">építész stúdió</a> 建筑工作室与 <a href="https://www.archdaily.com/professional/buro-happold" target="_blank" rel="noopener">Buro Happold</a> 工程顾问公司，共同获选为匈牙利自然历史博物馆设计占地 43000 平方米的德布勒森新藏品中心。<a href="https://www.archdaily.com/country/hungary" target="_blank" rel="noopener">匈牙利</a>第二大城市<a href="https://www.archdaily.com/city/debrecen" target="_blank" rel="noopener">德布勒森</a>目前正聚焦于重大城市与大学相关开发项目，其中包括将匈牙利自然历史博物馆从布达佩斯迁至德布勒森大森林边缘的计划。拟建的藏品中心将作为一座专门设施，用于对超过 1100 万件藏品进行可控存储与研究，其设计灵感源自匈牙利传统陶器 —— 这些历史上用于保护和保存物品的结构。该项目将成为<a href="https://www.archdaily.cl/cl/798294/18-obras-de-juan-sordo-madaleno-a-100-anos-de-su-natalicio" target="_blank" rel="noopener">这家墨西哥建筑事务所</a>首个欧洲文化项目，该事务所在<a href="https://www.archdaily.com/city/london" target="_blank" rel="noopener">伦敦</a>和<a href="https://www.archdaily.com/city/mexico-city" target="_blank" rel="noopener">墨西哥城</a>均设有工作室。</p>]]>
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        <![CDATA[将展品仓库作为展览，是未来美术馆/博物馆的发展趋势吗？]]>
      </title>
      <link>https://www.archdaily.cn/cn/1034887/mu-hou-gu-shi-gong-kai-zhan-shi-zi-wo-ce-hua-de-bo-wu-guan-dang-an-tan-suo-zhi-lu</link>
      <pubDate>Tue, 10 Feb 2026 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>长期以来，参观<a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">博物馆与美术馆</a>一直是一种高度精心策划的体验。参观者在精心设计的路线引导下，依次走过各个展厅，展品均经精挑细选，并按<a href="https://www.archdaily.cn/cn/1033021/cong-xiao-wei-ni-si-dao-wei-ni-si-qia-luo-star-si-qia-pa-de-wei-nei-rui-la-guan-xu-shi" target="_blank" rel="noopener">特定叙事</a>逻辑进行陈列，同时辅以标识、图示、场景设计以及精心调控的照明。即便是那些鲜少更换的展览 —— 即常设展览，通常也依赖<a href="https://www.archdaily.cn/cn/976507/bo-wu-guan-jian-zhu-ce-zhan-kong-jian-de-jin-hua" target="_blank" rel="noopener">强有力的策展理念</a> —— 由知名艺术家或策展人主导 —— 来确立机构的立场并塑造对展品的阐释。</p>]]>
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        <![CDATA[Snøhetta 与北京建院以“汇眼”为概念，中标北京艺术博物馆]]>
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      <link>https://www.archdaily.cn/cn/1037875/snohetta-yu-bei-jing-jian-yuan-yi-hui-yan-wei-gai-nian-zhong-biao-bei-jing-yi-zhu-bo-wu-guan</link>
      <pubDate>Mon, 19 Jan 2026 13:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta?ad_source=search&amp;ad_medium=search_result_professionals">Snøhetta</a> 携手<a href="https://www.archdaily.com/office/beijing-institute-of-architectural-design/page/1" target="_blank" rel="noopener">北京市建筑设计研究院（BIAD）</a>，成功赢得<a href="https://www.archdaily.com/tag/beijing/page/1" target="_blank" rel="noopener">北京</a><a href="https://www.archdaily.com/tag/tongzhou" target="_blank" rel="noopener">通州区</a>北京艺术博物馆的国际设计竞赛。该项目已于 2025 年 12 月 31 日正式动工，预计于 2029 年竣工并向公众开放。作为北京城市副中心<a href="https://www.archdaily.com/tag/tongzhou" target="_blank" rel="noopener">通州</a>文化与民生发展战略的重要组成部分，这座博物馆被定位为城市东部的新地标。此次委托是 <a href="https://www.archdaily.com/office/snohetta?ad_source=search&amp;ad_medium=search_result_professionals">Snøhetta</a> 继 2023 年建成开放的<a href="https://www.archdaily.com/tag/beijing/page/1" target="_blank" rel="noopener">北京</a><a href="https://www.archdaily.cn/cn/1024511/snohetta-xin-zuo-bei-jing-cheng-shi-tu-shu-guan-yin-xing-shu-xia-shu-qiu" target="_blank" rel="noopener">城市图书馆</a>后，在<a href="https://www.archdaily.com/country/china/page/1" target="_blank" rel="noopener">中国</a>首都承接的第二个重大文化项目，后者现已成为<a href="https://www.archdaily.com/tag/civic-architecture" target="_blank" rel="noopener">当代城市公共建筑</a>的标杆性范例。</p>]]>
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        <![CDATA[弗兰克·盖里最具影响力的作品，及其建筑遗产]]>
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      <link>https://www.archdaily.cn/cn/1037426/tong-guo-fu-lan-ke-star-gai-li-zui-ju-ying-xiang-li-de-zuo-pin-zhui-su-qi-jian-zhu-yi-chan</link>
      <pubDate>Tue, 30 Dec 2025 11:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>在<a href="https://www.archdaily.com/tag/frank-gehry" target="_blank" rel="noopener">弗兰克·盖里（Frank Gehry）</a>于<a href="https://www.archdaily.cn/cn/1036771/gao-bie-fu-lan-ke-star-gai-li-gai-bian-jian-zhu-shi-de-ju-jiang" target="_blank" rel="noopener"> 96 岁高龄辞世</a>的消息传出后，人们再度将目光聚焦于他那自 20 世纪后期起便深刻塑造建筑界话语的职业生涯。在逾七十载的时光里，<a href="https://www.archdaily.com/tag/frank-gehry" target="_blank" rel="noopener">盖里</a>发展出了一套以材料实验、迭代模型制作以及对流动、富有表现力的形式的探索为特色的设计语言。他的作品范围广泛，从南加州早期的住宅改造项目，到助力塑造全球多座城市身份的重大文化机构建筑。这些项目共同勾勒出一条发展轨迹，与<a href="https://www.archdaily.com/tag/fabrication" target="_blank" rel="noopener">制造</a>技术的变革、<a href="https://www.archdaily.com/tag/museums" target="_blank" rel="noopener">博物馆</a>类型的演变以及城市重建策略的调整交织在一起。</p>]]>
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        <![CDATA[向金字塔楔形展开，大埃及博物馆即将开放]]>
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      <link>https://www.archdaily.cn/cn/1036043/xiang-jin-zi-ta-xie-xing-zhan-kai-da-ai-ji-bo-wu-guan-ji-jiang-kai-fang</link>
      <pubDate>Tue, 18 Nov 2025 13:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>由 Heneghan Peng 建筑事务所设计的大埃及博物馆现已竣工，距离吉萨金字塔仅一英里多。这座庞大的建筑群坐落在开罗边缘的沙漠高原上，是连接世界最悠久文明的过去与现在的桥梁。博物馆内藏有十万件文物，是迄今为止规模最大的单一文化博物馆。</p>]]>
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        <![CDATA[Snøhetta 中标中国杭州新钱塘湾艺术博物馆]]>
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      <link>https://www.archdaily.cn/cn/1035823/si-nuo-he-ta-snohetta-zhong-biao-zhong-guo-hang-zhou-xin-qian-tang-wan-yi-zhu-bo-wu-guan</link>
      <pubDate>Mon, 10 Nov 2025 17:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">斯诺赫塔（Snøhetta）</a>在钱塘湾艺术博物馆设计竞赛中获胜，该博物馆是中国<a href="https://www.archdaily.com/tag/hangzhou/page/1" target="_blank" rel="noopener">杭州</a>萧山区钱塘湾未来总部基地开发项目内的一座全新文化地标。该项目由斯诺赫塔与<a href="https://www.archdaily.com/office/the-architectural-design-and-research-institute-of-zhejiang-university" target="_blank" rel="noopener">浙江大学建筑设计研究院有限公司</a>及 <a href="https://www.archdaily.com/office/buro-happold" target="_blank" rel="noopener">Buro Happold</a> 携手合作打造，涵盖建筑、景观建筑及室内设计，总面积超过1.8万平方米。博物馆将坐落于钱塘江畔不断扩展的杭州城区，成为艺术、文化与公共生活的重要目的地。</p>]]>
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        <![CDATA[Lina Ghotmeh 谈记忆、博物馆与未来考古学]]>
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      <link>https://www.archdaily.cn/cn/1034917/lina-ghotmeh-tan-ji-yi-bo-wu-guan-yu-wei-lai-kao-gu-xue</link>
      <pubDate>Fri, 17 Oct 2025 13:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Lina Ghotmeh 以其兼具诗意与严谨的建筑风格而闻名，她已成为当代设计领域最具说服力的声音之一。她的作品跨越各大洲，从<a href="https://www.archdaily.cn/cn/1027289/lina-ghotmeh-ying-de-ying-guo-bo-wu-guan-xi-qu-gai-zao-she-ji-jing-sai" target="_blank" rel="noopener">伦敦大英博物馆西翼</a>的重新设计，到<a href="https://www.archdaily.com/1001455/lina-ghotmeh-and-asif-khan-selected-to-design-two-major-museums-in-alula-saudi-arabia" target="_blank" rel="noopener">埃尔奥拉（AlUla）的当代艺术博物馆</a>，其中不乏标志性的委托项目，如<a href="https://www.archdaily.com/1002052/the-22nd-serpentine-pavilion-designed-by-lina-ghotmeh-opens-to-the-public-on-june-9th-2023" target="_blank" rel="noopener">伦敦的蛇形画廊展馆</a>、<a href="https://www.archdaily.cn/cn/950207/li-ba-nen-shi-yu-hua-gong-yu-lina-ghotmeh-architecture" target="_blank" rel="noopener">贝鲁特的石头花园</a>、<a href="https://www.archdaily.cn/cn/1029402/da-ban-shi-bo-hui-ba-lin-guan-shi-xiang-wei-lai-de-mu-gou-fang-zhou-lina-ghotmeh" target="_blank" rel="noopener">2025 年大阪世博会的巴林馆</a>，以及她年仅 25 岁时便在竞赛中胜出、负责设计的爱沙尼亚塔尔图的<a href="https://www.archdaily.com/788767/estonian-national-museum-dgt-architects" target="_blank" rel="noopener">爱沙尼亚国家博物馆</a>。通过一系列层层叠加、相互映照的项目，戈特梅已确立了一种独特的建筑语言，将记忆与当代生活紧密相连。无论她在哪里进行建造，其设计过程都捕捉着人与人、人与场所、过去与未来之间持续不断的对话。</p>]]>
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        <![CDATA[JKMM 赢得芬兰新建筑与设计博物馆竞赛]]>
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      <link>https://www.archdaily.cn/cn/1034455/jkmm-ying-de-fen-lan-xin-jian-zhu-yu-she-ji-bo-wu-guan-jing-sai</link>
      <pubDate>Fri, 26 Sep 2025 15:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/jkmm-architects?ad_source=search&amp;ad_medium=search_result_professionals">JKMM Architects</a> 赢得<a href="https://www.archdaily.com/tag/museum-of-architecture-and-design" target="_blank" rel="noopener">芬兰新建筑与设计博物馆</a>国际设计<a href="https://www.archdaily.com/tag/competition" target="_blank" rel="noopener">竞赛</a>，该博物馆计划建于<a href="https://www.archdaily.com/tag/helsinki" target="_blank" rel="noopener">赫尔辛基</a>历史悠久的南港，是一座标志性的滨水项目。</p>]]>
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        <![CDATA[安藤忠雄新项目：乌兹别克斯坦国家博物馆，在塔什干破土动工]]>
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      <link>https://www.archdaily.cn/cn/1033729/an-teng-zhong-xiong-she-ji-de-wu-zi-bie-ke-si-tan-guo-jia-bo-wu-guan-zai-ta-shi-gan-po-tu-dong-gong</link>
      <pubDate>Thu, 04 Sep 2025 13:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">乌兹别克斯坦</a>国家博物馆的奠基仪式将于 2025 年 8 月 27 日在塔什干举行，标志着安藤忠雄在<a href="https://www.archdaily.com/tag/central-asia/page/1" target="_blank" rel="noopener">中亚地区</a>首个大型项目正式启动。新<a href="https://www.archdaily.com/tag/museum/page/1" target="_blank" rel="noopener">博物馆</a>计划于 2028 年 3 月开放，旨在成为<a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">乌兹别克斯坦</a>最重要的<a href="https://www.archdaily.com/tag/landmark" target="_blank" rel="noopener">文化地标</a>，既是市民中心，也是连接乌兹别克斯坦文化遗产与全球艺术交流的门户。</p>]]>
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        <![CDATA[OMA/Shohei Shigematsu 新作：LV 大阪“远见之旅”]]>
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      <link>https://www.archdaily.cn/cn/1032324/oma-zhu-dao-she-ji-liao-lv-da-ban-shou-chang-bo-wu-guan-zhan-lan-visionary-journeys</link>
      <pubDate>Thu, 24 Jul 2025 15:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>“<a href="https://www.archdaily.com/tag/louis-vuitton/page/1">Louis Vuitton</a> ：远见之旅”（<a href="https://www.archdaily.com/tag/louis-vuitton/page/1" target="_blank" rel="noopener">Louis Vuitton</a>: Visionary Journeys）已在<a href="https://www.archdaily.cn/cn/992872/da-ban-zhong-zhi-dao-mei-zhu-guan-yuan-teng-ke-yan-jian-zhu-yan-jiu-suo" target="_blank" rel="noopener">大阪中之岛美术馆</a>面向公众开放，并将持续开放至 2025 年 9 月 17 日。该展览由 <a href="https://www.archdaily.com/office/oma?ad_source=search&amp;ad_medium=search_result_professionals">OMA</a> <a href="https://www.archdaily.com/tag/new-york/page/1" target="_blank" rel="noopener">纽约分部</a>在合伙人<a href="https://www.archdaily.com/tag/shohei-shigematsu" target="_blank" rel="noopener">重松象平</a>的指导下设计，这是“远见之旅”系列首次在文化机构中举办。<a href="https://www.archdaily.com/tag/exhibition" target="_blank" rel="noopener">展览</a>横跨十一个主题<a href="https://www.archdaily.com/tag/galleries" target="_blank" rel="noopener">展厅</a>，占地 2200 平方米，通过专设的<a href="https://www.archdaily.com/tag/history" target="_blank" rel="noopener">历史</a>、<a href="https://www.archdaily.com/tag/craftsmanship/page/1" target="_blank" rel="noopener">工艺</a>、标志性<a href="https://www.archdaily.com/tag/design" target="_blank" rel="noopener">设计</a>元素及<a href="https://www.archdaily.com/tag/cultural" target="_blank" rel="noopener">文化</a>交流等区域，全面呈现了路易威登这一品牌 170 年来的创意传承与空间叙事。</p>]]>
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        <![CDATA[David Chipperfield 公布拉赫当代艺术博物馆方案]]>
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      <link>https://www.archdaily.cn/cn/1031026/david-chipperfield-architects-designs-lah-contemporary-art-museum-near-lake-bled-in-slovenia</link>
      <pubDate>Wed, 11 Jun 2025 17:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>由 <a href="https://www.archdaily.com/office/david-chipperfield-architects">David Chipperfield Architects</a> 设计的新<a href="https://www.archdaily.com/tag/contemporary" target="_blank" rel="noopener">当代艺术博物馆</a> —— 拉赫博物馆（Muzej Lah）将于 2026 年夏季在<a href="https://www.archdaily.com/country/slovenia/page/1" target="_blank" rel="noopener">斯洛文尼亚</a>的<a href="https://www.archdaily.com/tag/bled/page/1" target="_blank" rel="noopener">布莱德（Bled）</a>正式开放。该<a href="https://www.archdaily.com/tag/museum/page/1" target="_blank" rel="noopener">博物馆</a>坐落于尤利安阿尔卑斯山脉的山麓地带，将收藏拉赫基金会（Fundacija Lah）的<a href="https://www.archdaily.com/tag/art" target="_blank" rel="noopener">艺术</a>藏品，这些藏品由斯洛文尼亚慈善家伊戈尔·拉赫（Igor Lah）和莫伊卡·拉赫（Mojca Lah）历经三十余年精心打造。随着该机构的开放，这些藏品将首次向公众开放展示。</p>]]>
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        <![CDATA[Diller Scofidio + Renfro 完成维多利亚与艾尔伯特博物馆（V&A）东区仓储空间]]>
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      <link>https://www.archdaily.cn/cn/1030780/diller-scofidio-plus-renfro-wan-cheng-wei-duo-li-ya-yu-ai-er-bo-te-bo-wu-guan-v-and-a-dong-qu-cang-chu-kong-jian</link>
      <pubDate>Wed, 04 Jun 2025 09:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>由 <a href="https://www.archdaily.com/office/diller-scofidio-plus-renfro" target="_blank" rel="noopener">Diller Scofidio + Renfr</a>o 建筑事务所与英国 Austin-Smith:Lord 建筑事务所合作设计的<a href="https://www.archdaily.cn/cn/905190/lun-dun-v-and-a-bo-wu-guan-dong-guan-zui-xin-xiao-guo-tu-gong-bu-bo-wu-guan-he-yan-jiu-zhong-xin-gong-tong-gou-jian-wen-hua-zong-he-ti" target="_blank" rel="noopener">维多利亚与艾尔伯特博物馆（V&amp;A）东区仓储空间</a>将于明天（ 2025 年 5 月 31 日）在<a href="https://www.archdaily.com/tag/london" target="_blank" rel="noopener">伦敦</a>伊丽莎白女王奥林匹克公园开放。该空间重新构想了博物馆、档案馆的可能性。它彻底颠覆了博物馆仓储的传统概念，邀请参观者前来探索、参与互动，人们只需提前在线预订，就能从超过五十万件藏品中指定观看特定物品，藏品范围从古埃及鞋子到<a href="https://www.archdaily.com/513642/happy-birthday-frank-lloyd-wright?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">弗兰克·劳埃德·赖特</a>设计的室内装饰应有尽有，这一全新的文化模式让公众能够接触到国家收藏品。</p>]]>
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        <![CDATA[吸收、过滤、储存：9个项目展示海绵城市如何适应气候挑战]]>
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      <link>https://www.archdaily.cn/cn/1028418/xi-shou-guo-lu-chu-cun-9ge-xiang-mu-zhan-shi-hai-mian-cheng-shi-ru-he-gua-ying-qi-hou-tiao-zhan</link>
      <pubDate>Fri, 09 May 2025 17:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>自从中国景观设计师、<a href="https://www.archdaily.com/office/turenscape?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">土人景观</a>创始人<a href="https://en.wikipedia.org/wiki/Kongjian_Yu?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">俞孔坚</a>提出“<a href="https://www.archdaily.cn/cn/1017938/cheng-shi-jing-guan-zuo-wei-sheng-cun-de-yi-zhu-hai-mian-cheng-shi-li-nian-chang-dao-zhe-yu-kong-jian-zhuan-fang" target="_blank" rel="noopener">海绵城市</a>”的概念以来，该理念逐渐受到重视，并于 2013 年被中国正式采纳为国家政策，用以应对城市内涝问题。这一理念优先考虑基于自然的基础设施，如湿地、雨水花园和透水铺装，<a href="https://www.archdaily.cn/cn/1022587/du-shi-lu-zhou-han-guo-qing-xi-chuan-he-dao-zhong-su-mikyoung-kim" target="_blank" rel="noopener">打造出多孔土壤景观</a>，使本土植物能够在最少维护的情况下茁壮成长。降雨时，这些系统能够吸收并减缓水流速度，从而降<a href="https://edition.cnn.com/2024/08/13/style/china-sponge-cities-kongjian-yu-hnk-intl/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">低洪水风险</a>。相比之下，尽管传统的混凝土和管道排水解决方案应用广泛，但其成本高昂、缺乏灵活性，且需要频繁维护；有时甚至会因堵塞和溢流而使城市更易遭受洪水侵袭。</p>]]>
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        <![CDATA[在森林中编织大地，BIG中标匈牙利自然历史博物馆]]>
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      <link>https://www.archdaily.cn/cn/1028891/zai-sen-lin-zhong-bian-zhi-da-di-bigzhong-biao-xiong-ya-li-zi-ran-li-shi-bo-wu-guan</link>
      <pubDate>Fri, 11 Apr 2025 13:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>BIG 建筑设计事务所在匈牙利第二大城市德布勒森的新匈牙利自然历史博物馆设计竞赛中获胜。该博物馆占地面积 23000 平方米，将坐落于城市南部的原体育场旧址上，毗邻历史悠久的大森林 Nagyerdő。</p>]]>
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