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    <title>Tag: bo-wu-guan-he-zhan-lan | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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        <![CDATA[将展品仓库作为展览，是未来美术馆/博物馆的发展趋势吗？]]>
      </title>
      <link>https://www.archdaily.cn/cn/1034887/mu-hou-gu-shi-gong-kai-zhan-shi-zi-wo-ce-hua-de-bo-wu-guan-dang-an-tan-suo-zhi-lu</link>
      <pubDate>Tue, 10 Feb 2026 17:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>长期以来，参观<a href="https://www.archdaily.com/1030691/museum-and-gallery-cafes-10-examples-that-enhance-the-cultural-experience?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">博物馆与美术馆</a>一直是一种高度精心策划的体验。参观者在精心设计的路线引导下，依次走过各个展厅，展品均经精挑细选，并按<a href="https://www.archdaily.cn/cn/1033021/cong-xiao-wei-ni-si-dao-wei-ni-si-qia-luo-star-si-qia-pa-de-wei-nei-rui-la-guan-xu-shi" target="_blank" rel="noopener">特定叙事</a>逻辑进行陈列，同时辅以标识、图示、场景设计以及精心调控的照明。即便是那些鲜少更换的展览 —— 即常设展览，通常也依赖<a href="https://www.archdaily.cn/cn/976507/bo-wu-guan-jian-zhu-ce-zhan-kong-jian-de-jin-hua" target="_blank" rel="noopener">强有力的策展理念</a> —— 由知名艺术家或策展人主导 —— 来确立机构的立场并塑造对展品的阐释。</p>]]>
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      <title>
        <![CDATA[格拉茨美术馆：历史地标中的“友好外星客”]]>
      </title>
      <link>https://www.archdaily.cn/cn/1026948/ge-la-ci-mei-zhu-guan-li-shi-di-biao-zhong-de-you-hao-wai-xing-ke</link>
      <pubDate>Mon, 17 Feb 2025 11:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>由<a href="https://www.archdaily.com/976026/the-delight-i-get-out-of-doing-buildings-is-to-say-it-can-be-built-in-conversation-with-peter-cook?ad_campaign=normal-tag?ad_medium=widget&amp;ad_name=related-article&amp;ad_content=1021322" target="_blank" rel="noopener">彼得·库克</a>和<a href="https://www.archdaily.com/1021322/colin-fournier-co-founder-of-archigram-passes-away-at-79?ad_campaign=normal-tag" target="_blank" rel="noopener">科林·富尼耶</a>设计的<a href="https://www.archdaily.com/tag/kunsthaus-graz" target="_blank" rel="noopener">格拉茨美术馆</a>，大胆地在历史名城中重新定义了当代建筑。该美术馆于 2003 年竣工，成为<a href="https://www.unesco.org/en/creative-cities/graz?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">格拉茨欧洲文化之都</a>庆典的焦点，其生物形态设计，昵称“友好外星客”，吸引了全球目光。在<a href="https://www.archdaily.com/tag/baroque" target="_blank" rel="noopener">巴洛克</a>和<a href="https://www.archdaily.com/tag/medieval-architecture" target="_blank" rel="noopener">中世纪风格</a>的环绕中，它连接了过去与未来，成为<a href="http://www.graz-cityofdesign.at/en?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">这座城市文化雄心</a>的见证。</p>]]>
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      <title>
        <![CDATA[再利用的文化：5 座融入历史语境的欧洲博物馆]]>
      </title>
      <link>https://www.archdaily.cn/cn/1023827/zai-li-yong-de-wen-hua-5ge-rong-ru-li-shi-yu-jing-de-ou-zhou-bo-wu-guan</link>
      <pubDate>Sat, 14 Dec 2024 11:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/975099/the-architecture-of-museums-the-evolution-of-curatorial-spaces" target="_blank" rel="noopener">博物馆</a>，作为文化展示的核心场所，历经演变，已逐渐发展为一个融合特定文化内涵、以清晰叙事传递历史的空间。在这一过程中，建筑与展陈之间的关系尤为重要。建筑师不仅要设计承载艺术品或文物的展示空间，更需精心组织观展动线，将文化叙事与空间体验巧妙结合。然而，并非所有博物馆的建筑都为这一功能专门设计。</p>]]>
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      <title>
        <![CDATA[Snøhetta ‘乔斯林艺术博物馆扩建’将于今年9月开放，弧形延伸]]>
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      <link>https://www.archdaily.cn/cn/1013969/snohetta-qiao-si-lin-yi-zhu-bo-wu-guan-kuo-jian-jiang-yu-jin-nian-9yue-kai-fang-hu-xing-yan-shen</link>
      <pubDate>Mon, 04 Mar 2024 13:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>内布拉斯加州乔斯林艺术博物馆宣布，由 <a href="https://www.archdaily.com/office/snohetta" target="_blank" rel="noopener">Snøhetta</a> 和 <a href="https://www.alleypoyner.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Alley Poyner Macchietto Architecture（APMA）</a>主导的修复和改造工程已接近尾声，改造后的博物馆计划于 2024 年 9 月 10 日重新开放。由<a href="https://www.archdaily.com/965867/snohetta-reveals-design-for-the-expansion-of-nebraskas-largest-art-museum" target="_blank" rel="noopener"> Snøhetta 和 APMA 设计的新的朗达和 Rhonda &amp; Howard Hawks 馆</a>占地 42,000 平方英尺，将为内布拉斯加州最大的艺术博物馆增添新的画廊空间，成为重新打造游客体验的大型项目的核心。</p>]]>
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    <item>
      <title>
        <![CDATA[如何打造服务空间？]]>
      </title>
      <link>https://www.archdaily.cn/cn/996807/ru-he-da-zao-fu-wu-kong-jian</link>
      <pubDate>Thu, 02 Mar 2023 10:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>建筑拥有与它的住户产生情感羁绊的能力。精巧设计的空间时刻将建筑行业延展至服务设计领域 - 这是<a href="https://www.archdaily.com/992486/what-are-branded-environments">体验经济</a>中日益增长的需求。通过感官和精神的刺激，空间可以与居住者紧密联系，催生出难忘的记忆。对体验的把控不仅需要理解空间原则，还需要理解空间的设施是如何设计的。</p>]]>
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      <title>
        <![CDATA[Snøhetta 公布‘迈阿密性博物馆’方案]]>
      </title>
      <link>https://www.archdaily.cn/cn/994145/snohetta-gong-kai-mai-a-mi-xing-bo-wu-guan-de-she-ji-fang-an</link>
      <pubDate>Mon, 26 Dec 2022 16:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
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        <![CDATA[<p>美国纽约的<a href="https://www.museumofsex.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">性博物馆</a>于近期宣布将在 2023 年春季在迈阿密设立新分馆，这一 3000 平方米的博物馆将由国际建筑事务所 Snøhetta 设计。新博物馆由仓库改造，其中将设有三个大型展览馆、商业空间、及一个酒吧，以此保存、展示和宣传人类性行为的文化意义，并打造美国最具活力、多元性的艺术社区之一。新馆的开幕项目将以沉浸式体验为首，其中包括了<a href="http://sorayama.jp/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">空山基（Hajime Sorayama）</a>的作品“超级乐园：情色嘉年华之旅（Super Funland ：Journey into the Erotic Carnival）”。</p>]]>
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