https://www.archdaily.cn/cn/1037547/conconzhi-jia-osvaldo-larrain-plus-tomas-tironiValentina Díaz
https://www.archdaily.cn/cn/1037596/jia-xing-gao-tie-xin-cheng-wen-hua-zhong-xin-qing-hua-da-xue-jian-zhu-she-ji-yan-jiu-yuan-you-xian-gong-si-su-po-gong-zuo-shi韩爽
https://www.archdaily.cn/cn/1037592/shang-hai-gong-zuo-ye-shi-she-ji-zhao-pin-chan-pin-zhuan-yuan-zhan-xiang-ce-hua-kong-jian-she-ji-xing-zheng-shi-xi韩爽
https://www.archdaily.cn/cn/1037595/lian-xiang-tian-jin-chuang-xin-ke-ji-yuan-shen-zhen-yi-jia-she-ji韩爽
https://www.archdaily.cn/cn/1037594/ri-ben-zhi-hui-cheng-shi-dian-fan-plp-jian-zhu-shi-wu-suo-qi-dong-dong-jing-shi-zi-gong-yuan-shou-zuo-ta-lou-jian-sheAntonia Piñeiro
https://www.archdaily.cn/cn/1037546/qing-shan-sen-lin-chen-jin-shi-ti-yan-jiao-shi-317designstudioMiwa Negoro
https://www.archdaily.cn/cn/1037543/a-yu-wang-yi-yuan-nan-yi-aidahoMiwa Negoro
https://www.archdaily.cn/cn/1037522/sageshen-zhen-wan-mo-xiang-cheng-dian-say-architects韩爽
https://www.archdaily.cn/cn/1037515/chong-zhai-gun-liu-nu-shi-jia-jin-qiu-ye-jian-zhu-gong-zuo-shi韩爽
https://www.archdaily.cn/cn/1037516/ji-e-de-mao-mao-chong-mei-shi-jie-lyth-designValeria Silva
https://www.archdaily.cn/cn/1037518/ci-zhi-yuan-bo-wu-guan-da-she-jian-zhu-she-ji-shi-wu-suoAndreas Luco
https://www.archdaily.cn/cn/1037520/zhong-jing-huan-lu-ping-shi-tan-yi-zhan-hcchhe-chen-jian-zhuPilar Caballero
https://www.archdaily.cn/cn/1037170/yi-nan-dong-fezh-wen-hua-kong-jian-itm-yooehwa-architectsPilar Caballero
https://www.archdaily.cn/cn/1037452/ski-ta-lou-a-labAndreas Luco
Inhabiting the River Intervention / Erazo Pugliese © Erazo Pugliese在建筑话语中,“特异性” 已重新成为核心议题。在日益全球化的背景下,项目往往不顾具体语境而套用熟悉模式,如今建筑师正转向扎根于场地特性的设计方法。这种对语境的重新关注,折射出更广泛的社会、气候与政治压力:城市正面临极端高温、生态挑战、人口结构变迁,以及催生新型集体生活形态的变革,这些都需要基于当下具体条件作出回应。
情境化建筑诠释了这一转变。它所指的设计方法强调形式、功能与材料特性均源自其生成的特定环境 —— 包括微气候、文化结构及日常仪式。这类实践摒弃通用模板,转而以观察、原型测试及直接参与地方动态为起点。这一逻辑在西班牙 TAKK 事务所的气候与材料实验中可见一斑,例如其 “便携花园”(Portable Garden)和 “10k 住宅”(10k House),这些轻量化原型根据热工与生态梯度进行精准调适;在荷兰 Studio Ossidiana 设计的艺术馆 M(Art Pavilion M)中,建筑形态由分层土壤与生态循环塑造而成;在伊萨昆·钦奇利亚(Izaskun Chinchilla)对本土物件的重新诠释,以及后续 “100 把椅子”(100 Sillas)和 “3 个城市客厅”(3 Salones Urbanos)实验中;在 Common Accounts 事务所探索的叙事性住宅空间中;以及在 Raumlabor 事务所针对后工业柏林地域特性开展的直接城市干预中,均体现了这一理念。




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https://www.archdaily.cn/cn/1037427/chao-yue-pu-gua-xing-fan-shi-zou-xiang-qing-jing-hua-jian-zhuDaniela Andino
https://www.archdaily.cn/cn/1037169/kito-shan-li-zong-bu-takenaka-corporationMiwa Negoro
https://www.archdaily.cn/cn/1037451/rang-star-duo-re-jean-dauger-ti-yu-chang-patrick-arotcharen-architecteAndreas Luco
https://www.archdaily.cn/cn/1037481/zha-ha-shi-wu-suo-zai-shen-zhen-wei-oppo-she-ji-de-ban-gong-zong-bu-kai-shi-mu-qiang-an-zhuangReyyan Dogan
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