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    <title>Author: Rebecca Ildikó Leete | ArchDaily</title>
    <description>ArchDaily | 传播世界建筑</description>
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      <title>
        <![CDATA[花园是否已经成为一种特权？]]>
      </title>
      <link>https://www.archdaily.cn/cn/984562/hua-yuan-shi-fou-yi-jing-cheng-wei-chong-te-quan</link>
      <pubDate>Mon, 25 Jul 2022 16:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p dir="ltr">无论是小阳台、绿地还是私人花园，户外空间对许多人来说已然成为一种特权，特别是在 Covid-19 大流行的初期和随后多次封城期间。现今城市中的绿色空间不断受到挤压，尤其是政府为了满足日益增长的郊区发展需求，试图提高住房密度。当优先考虑建造尽可能多的住房时，住宅开发中如室外空间之类的有益功能常常被忽略。因此，最近花园和绿地/室外空间的面积已经减少。</p>]]>
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      <title>
        <![CDATA[丰富建筑元素：彩色玻璃]]>
      </title>
      <link>https://www.archdaily.cn/cn/985879/feng-fu-jian-zhu-yuan-su-cai-se-bo-li</link>
      <pubDate>Mon, 25 Jul 2022 13:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p dir="ltr">彩色玻璃与礼拜场所紧密相关，<a href="https://mymodernmet.com/stained-glass-history?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">数千年来，全球各地的工匠都将其用于一系列的艺术活动和装置中</a>。彩色玻璃用鲜艳的色彩强化建筑形象，其生产过程是一种独特方式，<a href="https://mymodernmet.com/stained-glass-history?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">即在制造过程中，玻璃通过金属氧化物着色</a>，使用不同的添加剂，以创造一系列不同的色彩和色调。</p>]]>
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      <title>
        <![CDATA[Eyal Weizman 谈法证建筑： “测绘制图就是力量”]]>
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      <link>https://www.archdaily.cn/cn/984279/eyal-weizman-tan-fa-zheng-jian-zhu-ce-hui-zhi-tu-jiu-shi-li-liang</link>
      <pubDate>Wed, 13 Jul 2022 17:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p dir="ltr"><em>"自从记事起，我就想成为一名建筑师......我能够观察到街区的组织方式。我能看到这其中的隔离。我可以看到巴勒斯坦社区和大多数犹太人之间的边界地区，" <a href="https://www.archdaily.com/tag/eyal-weizman">Eyal Weizman</a> 在<a href="https://channel.louisiana.dk/video/forensic-architecture-mapping-is-power?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">与路易斯安那频道的访谈</a>中说道，以此回应如何理解建筑的 "政治意义 "，和把统治作为理解世界的一个重要工具的潜力。</em></p>]]>
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      <title>
        <![CDATA[10 座受埃及金字塔启发的当代建筑]]>
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      <link>https://www.archdaily.cn/cn/983859/10-zuo-shou-ai-ji-jin-zi-ta-qi-fa-de-dang-dai-jian-zhu</link>
      <pubDate>Sat, 18 Jun 2022 12:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p dir="ltr">作为世界奇迹之一，<a href="https://www.archdaily.com/939440/history-of-architecture-megaliths-mesopotamia-and-ancient-egypt?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">埃及金字塔</a>有着丰富的历史和神秘的面纱。古人利用今人无法相比的资源创造出<a href="https://www.archdaily.cn/cn/916895/neomam-studios-lian-shou-budget-direct-australia-wei-gu-dai-shi-jie-qi-da-qi-ji-dai-hui-sheng-ji">前所未有规模的结构</a>，利用金字塔的形状来建造结构坚固、形式有力的标志物，经受住了时间的考验。这些建筑奇迹定义了纪念碑，在今天仍然是一个永恒的和有影响力的设计概念形式。</p>]]>
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        <![CDATA[博物馆发展史，从‘私人宝箱’到‘公众财富’]]>
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      <link>https://www.archdaily.cn/cn/983246/bo-wu-guan-de-bian-qian-cong-qi-zhen-yi-bao-shi-dao-zhan-lan-kong-jian</link>
      <pubDate>Sat, 11 Jun 2022 17:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p>“museum”（博物馆）一词源于拉丁语，意为容纳具有艺术、文化、历史和科学重要性的物品。在古典古代，<a href="http://www.electricka.com/etaf/muses/mythology/about_muses_and_museums/about_muses_and_museums.htm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">古希腊语里“mouseion”表示“缪斯的集合”</a>，是一个哲学机构，一个用于沉思的场所。这些缪斯指的是希腊神话中的<a href="https://www.thecollector.com/the-9-muses-greek-mythology/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">9位缪斯</a>，艺术和科学的女神，以及知识的守护者。早期博物馆起源于豪门、个人或机构的私人收藏，展示在<a href="https://www.dailyartmagazine.com/cabinets-of-curiosities/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">“奇珍异宝柜”（cabinetsof curiosities）</a>中，往往是寺庙和礼拜场所。尽管这些“收藏”是现代博物馆的前身，它们并不像我们今天看到的那样寻求合理分类和展示藏品。</p>]]>
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      <title>
        <![CDATA[太空时代美学：对建筑和室内设计的影响]]>
      </title>
      <link>https://www.archdaily.cn/cn/982676/tai-kong-shi-dai-mei-xue-dui-jian-zhu-he-shi-nei-she-ji-de-ying-xiang</link>
      <pubDate>Thu, 02 Jun 2022 13:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/982676/tai-kong-shi-dai-mei-xue-dui-jian-zhu-he-shi-nei-she-ji-de-ying-xiang</guid>
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        <![CDATA[<p><a class="selected" href="https://world-nuclear.org/information-library/current-and-future-generation/outline-history-of-nuclear-energy.aspx?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">核能的出现</a>，火箭技术的巨大进步，以及将人送入太空和登月的愿望，开启了 "<a href="https://www.universetoday.com/45969/space-age/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">太空时代</a>"。二战结束后，苏联及其盟国都发现自己处于一种竞争状态，因为他们都参与进了一场太空竞赛，努力在太空探索方面比对方更早取得进展。这个时代的标志是技术的快速进步和诸如<a href="https://www.nasa.gov/mission_pages/apollo/apollo11.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">1969年登月</a>之类的巨大成就。太空时代的审美完全改变了设计师对新世界的想象，并给建筑和室内装修留下了戏剧性的印记，催生了未来主义和繁荣发展的新愿景。</p>]]>
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        <![CDATA[摄影作品｜Burckhardt & Partners 苏黎世 MFO 公园 / Paul Clemence]]>
      </title>
      <link>https://www.archdaily.cn/cn/982280/she-ying-zuo-pin-burckhardt-and-partners-su-li-shi-mfo-gong-yuan-paul-clemence</link>
      <pubDate>Fri, 20 May 2022 13:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p><a href="http://www.paulclemence.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Paul Clemence</a> 在<a href="https://landezine.com/mfo-park-switzerland/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">苏黎世 MFO 公园</a>的摄影作品是建筑摄影中最令人回味的一个系列之一，它展示了人造金属外壳与公园本身自然属性并存的现象。藤曼缠绕在结构框架上的画面为这个景点带来新生和更加迷人的形象。</p>]]>
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      <title>
        <![CDATA[文艺复兴如何影响建筑？]]>
      </title>
      <link>https://www.archdaily.cn/cn/981377/wen-yi-fu-xing-ru-he-ying-xiang-jian-zhu</link>
      <pubDate>Thu, 05 May 2022 15:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p>在经历了被称为“黑暗时代”的长期文化和知识“大饥荒”之后，<a href="https://www.archdaily.com/tag/europe">欧洲</a>亟需重生。研究和模仿自然本身的愿望越来越强烈，开始出现了<a href="http://www.visual-arts-cork.com/renaissance-art.htm?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">探索世界的倾向</a>。<a href="https://www.livescience.com/55230-renaissance.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">1400-1600 年间</a>，<a href="https://www.archdaily.com/tag/europe">欧洲</a>见证了美术、绘画、雕塑和建筑的重大复兴。 </p>]]>
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        <![CDATA[摄影作品｜里卡多·波菲尔“红墙住宅” / Andrés Gallardo]]>
      </title>
      <link>https://www.archdaily.cn/cn/980827/she-ying-zuo-pin-li-qia-duo-star-bo-fei-er-hong-qiang-zhu-zhai-andres-gallardo</link>
      <pubDate>Wed, 27 Apr 2022 10:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p><a href="https://andresgallardo.photography/muralla-roja-iii-when-the-sun-goes-down?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">《La Muralla Roja 当太阳落山 III》</a>是 <a href="https://andresgallardo.photography/about?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Andrés Gallardo</a> 新拍摄的一组令人回味的照片作品。在最初参观<a href="https://www.archdaily.cn/cn/tag/li-qia-duo-bo-fei-er">里卡多·波菲尔</a>的这座大型公寓 5 年后，Gallardo 再次到访，意图创作一套与<a href="https://www.archdaily.cn/cn/897370/andres-gallardojing-tou-xia-li-qia-duo-star-bo-fei-er-hong-qiang-zhu-zhai?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">之前柔和景致</a>完全相反的系列作品，展示整个建筑群从日落、黑夜到日出的复杂场景。考虑到在夜间能拍出的照片不多，在黄昏时分，海浪在海滨平静翻滚之时，Gallardo 便开始拿出相机，捕捉这座建筑群。</p>]]>
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        <![CDATA[日本建筑纪录电影《Koshuu》：黑川纪章的中银胶囊塔出镜]]>
      </title>
      <link>https://www.archdaily.cn/cn/980416/hei-chuan-ji-zhang-de-zhong-yin-xiao-nang-ta-zai-ri-ben-jian-zhu-ji-lu-dian-ying-number-syck-mergekey-0x0000000c2b5640-koshuu-zhong-chu-jing</link>
      <pubDate>Thu, 21 Apr 2022 16:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/office/kisho-kurokawa?ad_source=search&amp;ad_medium=search_result_professionals">黑川纪章（Kisho Kurokawa）</a>在电影《<a href="https://www.solarisfilm.se/portfolio/kochuu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Koshuu</a>》的节选中表示：<em>“背景中仍有不可见的日本传统”</em>。尽管使用了高科技，他强调的仍是建筑体现的日本传统，拒绝对称性的建筑传统。他设计了位于日本东京的中银胶囊塔（1972年），一个混合了住宅和办公功能的大楼。这是第一个为实际、长久的使用而建造的胶囊建筑。</p>]]>
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      <title>
        <![CDATA[什么是装饰派艺术 Art Deco？]]>
      </title>
      <link>https://www.archdaily.cn/cn/980324/zhuang-shi-pai-yi-zhu-fa-xian-fa-ming-he-shi-shang-yin-fa-de-ge-ming</link>
      <pubDate>Wed, 20 Apr 2022 10:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
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        <![CDATA[<p>装饰艺术起源于 20 世纪 20 年代，继 1925 年<a href="https://artdecosociety.uk/2019/06/01/l-exposition-internationale-des-arts-decoratifs-et-industriels-modernes-1925-paris/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">在巴黎举行的国际装饰艺术和现代工业博览会</a>之后出现。然而，直到 20 世纪 30 年代，<a href="https://www.archdaily.com/tag/art-deco">装饰艺术</a>才在欧美兴起，其范围扩充至涵盖了包括家具、室内设计、珠宝和建筑在内的所有元素。装饰艺术的流行与其独特的起源有关，与其说它是一场由政治或哲学力量驱动的设计革命，不如说它是<a href="https://www.archdaily.com/tag/hollywood">好莱坞</a>黄金时代和<a href="https://www.thebalance.com/roaring-twenties-4060511?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">经济的普遍繁荣</a>下人们对艺术渴望的投影。</p>]]>
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        <![CDATA[5 个再生策略，激活新冠大流行后的城市死角 ]]>
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      <link>https://www.archdaily.cn/cn/980044/5-ge-zai-sheng-ce-lue-ji-huo-xin-guan-da-liu-xing-hou-de-cheng-shi-si-jiao</link>
      <pubDate>Tue, 19 Apr 2022 10:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/980044/5-ge-zai-sheng-ce-lue-ji-huo-xin-guan-da-liu-xing-hou-de-cheng-shi-si-jiao</guid>
      <description>
        <![CDATA[<p>随着城市的不断发展和转变，城市景观中的死角开始出现，随之减少了我们建筑环境中的活动水平。这些“死角”指的是那些缺乏<a href="http://exclusive.multibriefs.com/content/urban-design-gone-wrong-lazy-frontages/construction-building-materials?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">主动参与</a>的区域，它们仍然空荡荡的，没有人活动，因为它们不再呈现出有用或吸引人的一面。随着 <a href="https://www.archdaily.com/975469/where-is-architecture-going-after-the-pandemic-fades?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Covid-19 大流行病</a>的最终结束，大流行病后我们可能面临的第一个问题是振兴我们的城市环境。为疲惫和过时的城市景观注入生命之吻......</p>]]>
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        <![CDATA[Lina Ghotmeh：“建筑让满目苍夷遍地弹孔的场所，变为绿意怏然”]]>
      </title>
      <link>https://www.archdaily.cn/cn/977713/lina-ghotmehtan-shi-tou-hua-yuan-ta-bi-xu-neng-gou-di-yu-ren-he-di-zhen-yin-ci-ta-ye-kang-zhu-liao-gang-kou-de-bao-zha</link>
      <pubDate>Thu, 31 Mar 2022 14:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/977713/lina-ghotmehtan-shi-tou-hua-yuan-ta-bi-xu-neng-gou-di-yu-ren-he-di-zhen-yin-ci-ta-ye-kang-zhu-liao-gang-kou-de-bao-zha</guid>
      <description>
        <![CDATA[<p>“我们处在地震区。<a href="https://www.archdaily.com/tag/beirut">贝鲁特</a>已经被埋了七次，所以它必须能抵抗任何地震，这就是为何它也抵抗了港口的爆炸，”<a href="https://www.archdaily.com/office/lina-ghotmeh-architecture?ad_source=search&amp;ad_medium=search_result_professionals">Lina Ghotmeh</a>在<a href="https://www.archdaily.com/tag/louisiana-channel">路易斯安那频道</a>谈及<a href="https://www.archdaily.com/tag/louisiana-channel">石头花园</a>时说道。这座建筑是在一个被废墟掩埋并多次重建的城市中建造的。</p>]]>
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      <title>
        <![CDATA[Peter Cook：“乌托邦式建筑，会建成的”]]>
      </title>
      <link>https://www.archdaily.cn/cn/977367/wo-zuo-jian-zhu-de-le-qu-zai-yu-shuo-ta-ding-neng-jian-cheng-dui-hua-peter-cook</link>
      <pubDate>Fri, 25 Mar 2022 18:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/977367/wo-zuo-jian-zhu-de-le-qu-zai-yu-shuo-ta-ding-neng-jian-cheng-dui-hua-peter-cook</guid>
      <description>
        <![CDATA[<p>“我做建筑的乐趣在于说：它一定能建成。”建筑师 <a href="https://www.archdaily.com/office/sir-peter-cook?ad_source=search&amp;ad_medium=search_result_professionals">Peter Cook</a>在与<a href="https://www.archdaily.com/tag/louisiana-channel">路易斯安那频道</a>（Louisiana Channel）的对话中说。他讨论了其<a href="https://www.archdaily.com/802591/peter-cook-on-how-drawing-enables-architects-to-learn-communicate-and-experiment?ad_source=search&amp;ad_medium=search_result_articles">通过生动的建筑图纸传达想法</a>的决心，以及他所面临的关于他雄心勃勃的设计方案和人们对他的设计离奇的外观的怀疑。</p>]]>
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        <![CDATA[Dorte Mandrup：“建筑应表达出我们自身的脆弱性”]]>
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      <link>https://www.archdaily.cn/cn/977642/jian-zhu-ying-biao-da-chu-wo-men-zi-shen-de-cui-ruo-xing-yu-dorte-mandrupdui-tan</link>
      <pubDate>Tue, 22 Mar 2022 12:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/977642/jian-zhu-ying-biao-da-chu-wo-men-zi-shen-de-cui-ruo-xing-yu-dorte-mandrupdui-tan</guid>
      <description>
        <![CDATA[<p>“建筑应表达出我们自身的脆弱性”，<a href="https://www.archdaily.com/office/dorte-mandrup?ad_source=search&amp;ad_medium=search_result_professionals">Dorte Mandrup</a>在与<a href="https://www.archdaily.com/tag/louisiana-channel">Louisiana Channel</a>的对话中，当提到她的最近项目，在<a href="https://www.archdaily.com/tag/greenland">格陵兰岛</a>的<a href="https://www.archdaily.com/968516/dorte-mandrup-arkitekter-reveals-climate-research-and-visitor-center-in-greenland?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">冰峡湾中心</a>时谈到。本身就是一座展览馆，这个强有力的电影作品探索了周边环境，提供了在冰上看到的变化以及结构自身和冰川景观之间和谐关系的深入了解。</p>]]>
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        <![CDATA[转型时尚界的建筑师们]]>
      </title>
      <link>https://www.archdaily.cn/cn/977771/zhuan-xing-shi-shang-jie-de-jian-zhu-shi-men</link>
      <pubDate>Thu, 10 Mar 2022 10:30:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/977771/zhuan-xing-shi-shang-jie-de-jian-zhu-shi-men</guid>
      <description>
        <![CDATA[<p>“建筑师”这个词可以有很多解释，就像是对艺术家的尊敬那样。然而，普遍认可的角色定义是设计和规划建筑的人，是建筑施工方面的关键人员。建筑学作为一个专业，其中包括非常多样化的职业。其作为一门<a href="https://www.archdaily.com/802427/this-architect-fuses-art-and-science-by-hand-illustrating-the-golden-ratio?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">艺术和科学</a>兼顾的学科，需要对不同学科都有较强的洞察力，而这些才能也可以应用于一系列不同的行业。</p>]]>
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        <![CDATA[建筑视频 | 里卡多·波菲尔的家 ‘水泥工厂’]]>
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      <link>https://www.archdaily.cn/cn/977847/jian-zhu-shi-pin-li-qia-duo-star-bo-fei-er-de-jia-shui-ni-gong-han</link>
      <pubDate>Mon, 07 Mar 2022 12:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/977847/jian-zhu-shi-pin-li-qia-duo-star-bo-fei-er-de-jia-shui-ni-gong-han</guid>
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        <![CDATA[<p>在建筑摄影工作室 <a href="https://www.archdaily.com/tag/spirit-of-space">Spiritof Space</a> 制作的这支视频里，向我们介绍了<a href="https://www.archdaily.com/office/ricardo-bofill">里卡多·波菲尔</a>的工作室和家——“<a href="https://www.archdaily.com/294077/the-factory-ricardo-bofill?ad_source=search&amp;ad_medium=projects_tab">水泥工厂</a>”（La Fábrica，<a href="https://www.archdaily.com/office/ricardo-bofill-taller-de-arquitecturas?ad_source=search&amp;ad_medium=search_result_professionals">Taller de Arquitectura</a>）。这个废弃、腐朽的水泥厂原建于一战后，拥有30个筒仓、机房和画廊，现在是一个重要的改革性项目，建筑师通过适应性再利用达到对空间的期待。</p>]]>
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        <![CDATA[虚拟形式呈现城市动态，数字映射在城市规划中的应用与未来]]>
      </title>
      <link>https://www.archdaily.cn/cn/975833/xu-ni-xing-shi-cheng-xian-cheng-shi-dong-tai-shu-zi-ying-she-zai-cheng-shi-gui-hua-zhong-de-ying-yong-yu-wei-lai</link>
      <pubDate>Thu, 03 Mar 2022 15:00:00 +0000</pubDate>
      <dc:creator>Rebecca Ildikó Leete</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.cn/cn/975833/xu-ni-xing-shi-cheng-xian-cheng-shi-dong-tai-shu-zi-ying-she-zai-cheng-shi-gui-hua-zhong-de-ying-yong-yu-wei-lai</guid>
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        <![CDATA[<p>数字映射（数字孪生）现象的出现，预示着<a href="https://www.archdaily.cn/cn/tag/cheng-shi-gui-hua">城市规划</a>迎来巨大变化。它本质上是以虚拟形式呈现城市的动态，确保从历史结构、新建筑和公共交通的每一个元素都在一个三维模型中得到体现。它不仅展示了景观方面的关键元素，而且还包括了经常被忽视的条件，如日光、阴影、植被和树木的存在。所有这些都有助于更好地进行初步的<a href="https://www.archdaily.com/967151/factors-to-consider-during-site-analysis?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">现场分析</a>。</p>]]>
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